The Chartreuse Notre-Dame des Prés was a Carthusian monastery (Charterhouse) in northern France, at Neuville-sous-Montreuil. The charter of foundation is dated from the chateau d'Hardelot on 15 July 1324; the church was consecrated in 1338.
The foundation, being close to Calais, was liable to disturbance in time of war. Thus it was often sacked by the English during the wars of the fourteenth and fifteenth centuries, and was for a time abandoned. The religious returned when peace was restored.
In 1542 the monastery was again wrecked by the Imperial troops and in the wars of religion fresh troubles attended the community. Finally the house was rebuilt by Dom Bernard Bruyant in the latter part of the seventeenth century and remained undisturbed until the French Revolution. In 1790 the monastery was suppressed and its property sold by auction the following year.
Eighty-two years later the Carthusians repurchased a portion of their old estate and the first stone of the new monastery was laid on 2 April 1872. The work was pushed forward by the Prior, Dom Eusèbe Bergier, and was finished in three years. The monastery contained twenty-four cells in its cloister.
La Chartreuse de Neuville has dozens of cloisters, chapels, a library and other rooms. It was once the home of the printing press for all the Charterhouses of Europe 1800s. But the equipment was transferred to St Hugh’s Charterhouse (there are plans to have it returned).
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.