The Basilica of Notre-Dame de Boulogne is a minor basilica and a prominent landmark of the city. The first Christian building on the site was probably built by the Romans during the 4th or 5th century, on the peak of the hill that forms the modern haute ville.
According to legend, in about 633, while Saint Audomare (Saint Omer) was bishop of Thérouanne, an unmanned boat carrying a luminous statue of the Virgin Mary was sighted in the estuary at Boulogne. The statue was carried to the church and soon miracles were reported at the site. Between the 13th and 16th century the statue, known as Notre-Dame de la Mer ('Our Lady of the Sea') became a popular object of pilgrimage, bringing prosperity to the town.
In around 1100 a new church was built on the site and over the next few centuries underwent numerous changes, such as the addition of a choir in the 14th century. In 1308 it was the location of the wedding of Edward II of England to Isabella of France, an event commemorated by a memorial in the crypt.
In 1567, on the creation of the Diocese of Boulogne, the church was elevated to be its cathedral, and flourished until the French Revolution, when the Civil Constitution of the Clergy of 1790 brought it under government control. Worship in the cathedral was prohibited: the Convent of the Annonciades (Order of the Annunciation of the Blessed Virgin Mary) became the centre of worship in Boulogne, and after a period as a military warehouse, the cathedral was sold to traders from outside the city. The building was then demolished in stages, and, in 1793, the celebrated miraculous statue of Our Lady of the Sea was burned. Only a small portion of the statue's hand survived. Of the original cathedral, only the impressive Romanesque crypt from the medieval building survives.
Under the Concordat of 1801, which restored a reformed diocesan structure in France, the diocese of Boulogne ceased to exist. Its former territory was incorporated into the expanded Diocese of Arras.
A local priest and self-taught architect, Benoit Haffreingue, vowed to rebuild the destroyed cathedral to restore the honour of Our Lady of the Sea and return the episcopal seat to the city. After a vigorous campaign he was able to gain the support of many, including Victor Hugo and François-René de Chateaubriand, and soon had considerable public opinion behind him.
Construction of his design began in 1827 with the building of the rotunda and continued for nearly fifty years. The dome that now dominates the town was finished in 1854 and its western towers were completed in the 1870s. However, despite the support that Haffreingue's campaign gathered, the bishop's seat was not returned to Bologne and the building thus never regained its status as a cathedral. In 1879 the rebuilt church was declared a minor basilica.
Notre-Dame was built to a new design inspired by both Classical and Renaissance styles, and bears many similarities to St Paul's Cathedral. The area beneath the dome was initially designed to form the complete church, but additional funding allowed the expansion to the nave and transept that form a Latin cross. This gives the finished building the unusual internal appearance of being formed by two distinct churches.
The tall nave is dominated by its rows of slender Corinthian columns, with unusual features scattered throughout. Haffreingue's lack of professional training unfortunately gave the building an inherent fragility that led to the collapse of the nave's arches in 1921. During their reconstruction the whole building was reinforced with concrete, which without doubt allowed it to survive the bombing received by the city during World War II.
When Haffreingue began work on the new church in 1827, the workmen discovered a crypt that had lain unknown for centuries, having probably been filled in during the 1544 siege of Boulogne by Henry VIII of England. The crypt is 128 metres long in total, and is believed to be the longest in France. Its Romanesque columns date back to the 11th century
With 19th-century masonry accompanying the original medieval work, the many rooms also include the foundations of a Roman temple dedicated to Mars. Cannonballs from the siege of 1544 lie alongside offerings from the site's many medieval pilgrims.
The crypt includes a chapel in which the body of José de San Martín, the South American liberator, was buried between his death in 1850 and its return to Buenos Aires in 1861.References:
The original Cochem Castle, perched prominently on a hill above the Moselle River, served to collect tolls from passing ships. Modern research dates its origins to around 1100. Before its destruction by the French in 1689, the castle had a long and fascinating history. It changed hands numerous times and, like most castles, also changed its form over the centuries.
In 1151 King Konrad III ended a dispute over who should inherit Cochem Castle by laying siege to it and taking possession of it himself. That same year it became an official Imperial Castle (Reichsburg) subject to imperial authority. In 1282 it was Habsburg King Rudolf’s turn, when he conquered the Reichsburg Cochem and took it over. But just 12 years later, in 1294, the newest owner, King Adolf of Nassau pawned the castle, the town of Cochem and the surrounding region in order to finance his coronation. Adolf’s successor, Albrecht I, was unable to redeem the pledge and was forced to grant the castle to the archbishop in nearby Trier and the Electorate of Trier, which then administered the Reichsburg continuously, except for a brief interruption when Trier’s Archbishop Balduin of Luxembourg had to pawn the castle to a countess. But he got it back a year later.
The Electorate of Trier and its nobility became wealthy and powerful in large part due to the income from Cochem Castle and the rights to shipping tolls on the Moselle. Not until 1419 did the castle and its tolls come under the administration of civil bailiffs (Amtsmänner). While under the control of the bishops and electors in Trier from the 14th to the 16th century, the castle was expanded several times.
In 1688 the French invaded the Rhine and Moselle regions of the Palatinate, which included Cochem and its castle. French troops conquered the Reichsburg and then laid waste not only to the castle but also to Cochem and most of the other surrounding towns in a scorched-earth campaign. Between that time and the Congress of Vienna, the Palatinate and Cochem went back and forth between France and Prussia. In 1815 the western Palatinate and Cochem finally became part of Prussia once and for all.
Louis Jacques Ravené (1823-1879) did not live to see the completion of his renovated castle, but it was completed by his son Louis Auguste Ravené (1866-1944). Louis Auguste was only two years old when construction work at the old ruins above Cochem began in 1868, but most of the new castle took shape from 1874 to 1877, based on designs by Berlin architects. After the death of his father in 1879, Louis Auguste supervised the final stages of construction, mostly involving work on the castle’s interior. The castle was finally completed in 1890. Louis Auguste, like his father, a lover of art, filled the castle with an extensive art collection, most of which was lost during the Second World War.
In 1942, during the Nazi years, Ravené was forced to sell the family castle to the Prussian Ministry of Justice, which turned it into a law school run by the Nazi government. Following the end of the war, the castle became the property of the new state of Rheinland-Pfalz (Rhineland-Palatinate). In 1978 the city of Cochem bought the castle for 664,000 marks.