The Basilica of Notre-Dame de Boulogne is a minor basilica and a prominent landmark of the city. The first Christian building on the site was probably built by the Romans during the 4th or 5th century, on the peak of the hill that forms the modern haute ville.
According to legend, in about 633, while Saint Audomare (Saint Omer) was bishop of Thérouanne, an unmanned boat carrying a luminous statue of the Virgin Mary was sighted in the estuary at Boulogne. The statue was carried to the church and soon miracles were reported at the site. Between the 13th and 16th century the statue, known as Notre-Dame de la Mer ('Our Lady of the Sea') became a popular object of pilgrimage, bringing prosperity to the town.
In around 1100 a new church was built on the site and over the next few centuries underwent numerous changes, such as the addition of a choir in the 14th century. In 1308 it was the location of the wedding of Edward II of England to Isabella of France, an event commemorated by a memorial in the crypt.
In 1567, on the creation of the Diocese of Boulogne, the church was elevated to be its cathedral, and flourished until the French Revolution, when the Civil Constitution of the Clergy of 1790 brought it under government control. Worship in the cathedral was prohibited: the Convent of the Annonciades (Order of the Annunciation of the Blessed Virgin Mary) became the centre of worship in Boulogne, and after a period as a military warehouse, the cathedral was sold to traders from outside the city. The building was then demolished in stages, and, in 1793, the celebrated miraculous statue of Our Lady of the Sea was burned. Only a small portion of the statue's hand survived. Of the original cathedral, only the impressive Romanesque crypt from the medieval building survives.
Under the Concordat of 1801, which restored a reformed diocesan structure in France, the diocese of Boulogne ceased to exist. Its former territory was incorporated into the expanded Diocese of Arras.
A local priest and self-taught architect, Benoit Haffreingue, vowed to rebuild the destroyed cathedral to restore the honour of Our Lady of the Sea and return the episcopal seat to the city. After a vigorous campaign he was able to gain the support of many, including Victor Hugo and François-René de Chateaubriand, and soon had considerable public opinion behind him.
Construction of his design began in 1827 with the building of the rotunda and continued for nearly fifty years. The dome that now dominates the town was finished in 1854 and its western towers were completed in the 1870s. However, despite the support that Haffreingue's campaign gathered, the bishop's seat was not returned to Bologne and the building thus never regained its status as a cathedral. In 1879 the rebuilt church was declared a minor basilica.
Notre-Dame was built to a new design inspired by both Classical and Renaissance styles, and bears many similarities to St Paul's Cathedral. The area beneath the dome was initially designed to form the complete church, but additional funding allowed the expansion to the nave and transept that form a Latin cross. This gives the finished building the unusual internal appearance of being formed by two distinct churches.
The tall nave is dominated by its rows of slender Corinthian columns, with unusual features scattered throughout. Haffreingue's lack of professional training unfortunately gave the building an inherent fragility that led to the collapse of the nave's arches in 1921. During their reconstruction the whole building was reinforced with concrete, which without doubt allowed it to survive the bombing received by the city during World War II.
When Haffreingue began work on the new church in 1827, the workmen discovered a crypt that had lain unknown for centuries, having probably been filled in during the 1544 siege of Boulogne by Henry VIII of England. The crypt is 128 metres long in total, and is believed to be the longest in France. Its Romanesque columns date back to the 11th century
With 19th-century masonry accompanying the original medieval work, the many rooms also include the foundations of a Roman temple dedicated to Mars. Cannonballs from the siege of 1544 lie alongside offerings from the site's many medieval pilgrims.
The crypt includes a chapel in which the body of José de San Martín, the South American liberator, was buried between his death in 1850 and its return to Buenos Aires in 1861.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.