The Palais des Beaux-Arts de Lille (Lille Palace of Fine Arts) is a municipal museum dedicated to fine arts, modern art, and antiquities. It is one of the largest art museums in France.
It was one of the first museums built in France, established under the instructions of Napoleon I at the beginning of the 19th century as part of the popularisation of art. Jean-Antoine Chaptal's decree of 1801 selected fifteen French cities (among which Lille) to receive the works seized from churches and from the European territories occupied by the armies of Revolutionary France. The painters Louis Joseph Watteau and François Watteau, known as the 'Watteau of Lille', were heavily involved in the museum's beginnings - Louis Joseph Watteau made in 1795 the first inventory of the paintings confiscated during the Revolution, whilst his son François was deputy curator of the museum from 1808 to 1823.
The museum opened in 1809 and was initially housed in a church confiscated from the Récollets before being transferred to the city's town hall. In 1866, the 'musée Wicar', formed from the collection of Jean-Baptiste Wicar, was merged into the Palais des Beaux-Arts. Construction of the Palais's current Belle Époque-style building began in 1885 under the direction of Géry Legrand, mayor of Lille, and it was completed in 1892. The architects chosen to design the new building were Edouard Bérard (1843–1912) and Fernand Etienne-Charles Delmas (1852–1933) from Paris. The building is located on the place de la République, in the center of the city, facing the préfecture of Lille. It was renovated during the 1990s and reopened in 1997.
At the start of the 1990s, the building's poor state and the moving of Vauban's relief models of fortified towns to Lille forced the town to renovate the building. Work began in 1991, under the architects Jean-Marc Ibos and Myrto Vitart, and was completed in 1997. This allowed the creation of a new 700 m2 basement room for temporary exhibitions, as well as departments for the relief models and for 19th-century sculpture. Overall the museum covers 22000 m2 and held 72430 pieces as of 2015, one of the largest provincial collections of fine art. The collection includes works by Raphael, Donatello, Van Dyck, Tissot, Jordaens, Rembrandt, Goya, El Greco, David, Corot, Courbet, Toulouse-Lautrec, Delacroix, Rubens, Rodin, Claudel and Jean-Baptiste Chardin.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.