The construction of the Lille Cathedral began in 1854. The church takes its name from a 12th-century statue of the Virgin Mary. It was built to the Neo-Gothic 13th century style. The initial project was massive: 132 metres long, with spires reaching up to over 115 metres. However, wars and financial difficulties soon put an end to these plans. With the creation of the bishopric of Lille in 1913, the basilica became a cathedral, but the project, although reduced to more modest proportions, began to drag on and the cathedral remained unfinished.
It was not until the 1990s that public funding allowed for the completion of the main facade, which was inaugurated in 1999. Designed by the Lille architect Pierre-Louis Carlier, it is the product of great technical prowess and was made possible by the collaboration of Peter Rice (engineer for the Sydney Opera House and the Pompidou Centre in Paris). The central section is composed of a 30 metres high ogive covered with 110 sheets of white marble 28 millimetres thick, and supported by a metal structure. From the inside, this translucent veil reveals a surprising orange-pink colour.At the top, the glass rose window based on the theme of the Resurrection is the work of the painter Ladislas Kijno. The iron doorway is by the Jewish sculptor Georges Jeanclos.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.