Château de Loches

Loches, France

The Château de Loches was constructed in the 9th century. Built some 500 metres above the Indre River, the huge castle, famous mostly for its massive square keep, dominates the town of Loches. Designed and occupied by Henry II of England and his son, Richard the Lionheart during the 12th century, the castle withstood the assaults by the French king Philip II in their wars for control of France until it was finally captured by Philip in 1204.

Construction work immediately upgraded Loches into a huge military fortress. The castle would become a favorite residence of Charles VII of France who gave it to his mistress, Agnès Sorel, as her residence. It would be converted for use as a State prison by his son, King Louis XI who had lived there as a child but preferred the royal castle at Amboise.

During the American Revolution, France financed and fought with the Americans against England and King Louis XVI used the castle of Loches as a prison for captured Englishmen. At the time of the French Revolution, the château was ransacked and severely damaged. Some major restoration began in 1806 but today there are parts visible as ruins only. Owned by the Commune of Loches, the castle and the adjacent ancient Church of Saint-Ours are open to the public.

Château de Loches has been recognised as a monument historique since 1861 and is listed by the French Ministry of Culture.

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Details

Founded: 13th century
Category: Castles and fortifications in France
Historical period: Late Capetians (France)

Rating

4.3/5 (based on Google user reviews)

User Reviews

Andrew Burnett (8 months ago)
Very good chateau to visit in a lovely town
Bea Bouton (8 months ago)
Very interesting. The price of the ticket was very reasonable and Loches is a beautiful little town typical of the Touraine, with a lot of character.
Raymond Beresford (10 months ago)
Fantastic area well worth a visit ...so much history
Michael Gough (12 months ago)
Not only is the Château well worth a visit for its historical interest but it's also worthwhile having a wander around Loches as well. It's a very pleasant place to visit, the Château being an added bonus. One can not help wonder however as to how much power and wealth the original owners had to create such magnificent buildings. Well worth a visit.
Adam Roden (13 months ago)
Amazing site to see! You can go to the top of the dungeon! It’s great!
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The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

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