The National Museum of Cinema (Museo Nazionale del Cinema) located in Turin, Italy, is a motion picture museum fitted out inside the Mole Antonelliana tower.
The museum houses pre-cinematographic optical devices such as magic lanterns, earlier and current film technologies, stage items from early Italian movies and other memorabilia.
Along the exhibition path of about 3.200 m2 on five levels, it is possible to visit some areas devoted to the different kinds of film crew, and in the main hall, fitted in the temple hall of the Mole (which was a building originally intended as a synagogue), a series of chapels representing several film genres.
The museum keeps a huge and growing collection of film posters, stocks, and a library. A movie screen located in the Massimo multiplex, near to the museum, is reserved to retrospectives and other museum initiatives. The museum hosts several film festivals, the major and most prestigious of them being the Torino Film Festival.
Inside the museum there is also a panoramic elevator (opened in 2000) with transparent glass walls, that cover its 75 meters ride in 59 seconds, in the single open space span of the building, without middle floors, up to the 'small temple' which gives a 360 degrees panoramic view of the city. It is the museum with the biggest vertical extension of the world.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.