The cappella dei Mercanti, Negozianti e Banchieri ('chapel of merchants, shopkeepers, and bankers') is a Catholic chapel in the historic city center of Turin.
The chapel, whose construction was authorized during the 16th century, was built at the end of the 1600s and most of the artwork it contains originated in the 1600 and 1700s, in the baroque style.
The walls of the chapel present numerous seventeenth-century paintings, all inspired by the theme of the Biblical Magi. The altar dates back to 1797 and is the work of Michele Emanuele Buscaglione. On either side there are two reliquaries, while on the wall there are three paintings by the Jesuit painter Andrea Pozzo. The baroque frescoed ceiling by Legnanino depicts Heaven, prophets, sibyls and biblical episodes and dates to 1694-1695. The organ on the wall opposite the altar dates back to the eighteenth century.
The sacristy contains several sacred objects, but above all the famous Perpetual Calendar by Giovanni Plana, one of the oldest calculator machines (it is equipped with rotating drums and a transmission system that allows the correct combination of the various information contained in the system) which allows precise calendrical calculation over a period of 4000 years starting from year zero (including the calculation of lunations, days of the week and Christian holidays).
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.