The Church of the Addolorata is a Romanesque-style basilica church in Acqui Terme. The church is dedicated to the Marian devotion of Our Lady of Sorrows, however, the church is also called San Pietro, since it was once attached to what was once the adjacent Benedictine monastery of San Pietro.
The layout we see today was built in the 11th-century at the site of a late 6th-century paleochristian church located just outside the city walls. It had three naves with an octagonal bell-tower at the southern apse. The simple brick facade has protruding pilasters and shows a trend towards verticality. After 1720, with the closing of the monastery, part of the church was rededicated to the Addolorata. It underwent major restoration after the First World War, that stripped much of the decoration, giving the interior a white-washed simplicity. The apse and the base of the bell-tower retain medieval traces.
The interior conserves a 15th-century Deposition fresco and two 16th-century canvases depicting Christ Crowned with Spines and Christ before Pilate. The wooden statue of the Madonna Addolorata dates to 1720.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.