Houska Castle is an early Gothic castle in the municipality of Blatce. It is one of the best preserved castles of the period. Some notable features of the castle include a predominantly Gothic chapel, green chamber with late-Gothic paintings, and a knight's drawing room.
Folklore considers this castle to cover one of the gateways to Hell, built to prevent demons (trapped in lower levels) from reaching the rest of the world.
Houska Castle was built in the second half of the 13th century probably on the orders of Bohemian ruler Ottokar II of Bohemia during his reign (1253–78) to serve as an administration center from which the extensive royal estates could be managed. Later on, it passed to the hands of the aristocracy, frequently passing from the ownership of one to another. The castle was built in an area of forests, swamps and mountains with no external fortifications, no source of water except for a cistern to collect rainwater, no kitchen, far from any trade routes, and with no occupants at its time of completion. From 1584 to 1590, it underwent Renaissance-style modifications, losing none of its fortress features as it looks down from a steep rocky cliff. In the 18th century, it stopped serving as a noble residence and fell into a state of disrepair before being renovated in 1823. In 1897, it was purchased by Princess Hohenlohe and in 1924, the times of the First Republic, bought by the President of Škoda, Josef Šimonek.
During World War II, the Wehrmacht occupied the castle until 1945. The Nazis were said to have conducted experiments into the occult. As of early 2020, the castle was open to the public and had been since 1999. Tourists may visit the chapel with fading frescoes and murals 'including pictures of demon-like figures and animal-like beings'.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.