The Prague astronomical clock was first installed in 1410, making it the third-oldest astronomical clock in the world and the oldest one still operating. It is mounted on the southern wall of Old Town Hall in the Old Town Square. The clock mechanism itself is composed of three main components: the astronomical dial, representing the position of the Sun and Moon in the sky and displaying various astronomical details; 'The Walk of the Apostles', a clockwork hourly show of figures of the Apostles and other moving sculptures—notably a figure of Death (represented by a skeleton) striking the time; and a calendar dial with medallions representing the months. According to local legend, the city will suffer if the clock is neglected and its good operation is placed in jeopardy and a ghost, mounted on the clock, was supposed to nod his head in confirmation. Based on the legend, the only hope was represented by a boy born in the New Year's night.
The oldest part of the Orloj, the mechanical clock and astronomical dial, dates back to 1410 when it was made by clockmaker Mikuláš of Kadaň and Jan Šindel, the latter a professor of mathematics and astronomy at Charles University. Later, presumably around 1490, the calendar dial was added and clock facade was decorated with gothic sculptures.
The clock stopped working many times in the centuries after 1552, and was repaired many times. In 1629 or 1659 wooden statues were added, and figures of the Apostles were added after major repair in 1787–1791. During the next major repair in years 1865–1866 the golden figure of a crowing rooster was added.
The clock suffered heavy damage on May 7 and especially May 8, 1945, during the Prague Uprising, when Germans set fire from several armoured vehicles and an anti-aircraft gun to the south-west side of the Old Town Square in an effort to silence the provocative broadcasting initiated by the National Committee on May 5. The hall and nearby buildings burned along with the wooden sculptures on the clock and the calendar dial face made by Josef Mánes. After significant effort, the machinery was repaired, the wooden Apostles restored by Vojtěch Sucharda, and the clock started working again in 1948.
The clock was last renovated in autumn 2005, when the statues and the lower calendar ring were restored.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.