The Metropolitan Cathedral of Saints Vitus, Wenceslaus and Adalbert is the seat of the Archbishop of Prague. Up to 1997, the cathedral was dedicated only to Saint Vitus, and is still commonly named only as St. Vitus Cathedral.
This cathedral is an excellent example of Gothic architecture and is the biggest and most important church in Czech Republic. Located within Prague Castle and containing the tombs of many Bohemian kings and Holy Roman Emperors, the cathedral is under the ownership of the Czech government as part of the Prague Castle complex.
The cathedral was commissioned by Charles IV, and construction began in 1344 on the site of an earlier 10th century rotunda. Its first builders, Matthias of Arras and later Peter Parler, built the chancel with a ring of chapels - St. Wenceslas Chapel, the Golden Portal and the lower section of the main steeple.
However, it took almost six centuries to complete, with the final phase of construction in the period 1873-1929. As well as being the largest and most important temple in Prague, St. Vitus Cathedral has also overseen the coronation of Czech kings and queens. In the chancel of the cathedral, in front of the high alter, is the royal mausoleum. Below this, in the crypt, there are the royal tombs. Czech kings and queens, and patron saints of the country are interred here.
The Great South Tower of the Cathedral was founded in the late 14th century, then reconstructed in the 16th and again in the 18th centuries. The tower holds the biggest bell in the Czech Republic, called Žikmund, which dates from the 16th century. Visitors can climb the tower. It has 287 steps and is more than 90 metres high. The views from the stop are worth the effort.
St. Wenceslas Chapel is decorated with frescoes and semi-precious stones. And a door in the south-western corner of the chapel leads to the Crown Chamber in which the Bohemian Coronation Jewels are stored.
It is free for visitors to enter the first part of St. Vitus Cathedral. A ticket must be purchased to visit the whole cathedral.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.