The Metropolitan Cathedral of Saints Vitus, Wenceslaus and Adalbert is the seat of the Archbishop of Prague. Up to 1997, the cathedral was dedicated only to Saint Vitus, and is still commonly named only as St. Vitus Cathedral.
This cathedral is an excellent example of Gothic architecture and is the biggest and most important church in Czech Republic. Located within Prague Castle and containing the tombs of many Bohemian kings and Holy Roman Emperors, the cathedral is under the ownership of the Czech government as part of the Prague Castle complex.
The cathedral was commissioned by Charles IV, and construction began in 1344 on the site of an earlier 10th century rotunda. Its first builders, Matthias of Arras and later Peter Parler, built the chancel with a ring of chapels - St. Wenceslas Chapel, the Golden Portal and the lower section of the main steeple.
However, it took almost six centuries to complete, with the final phase of construction in the period 1873-1929. As well as being the largest and most important temple in Prague, St. Vitus Cathedral has also overseen the coronation of Czech kings and queens. In the chancel of the cathedral, in front of the high alter, is the royal mausoleum. Below this, in the crypt, there are the royal tombs. Czech kings and queens, and patron saints of the country are interred here.
The Great South Tower of the Cathedral was founded in the late 14th century, then reconstructed in the 16th and again in the 18th centuries. The tower holds the biggest bell in the Czech Republic, called Žikmund, which dates from the 16th century. Visitors can climb the tower. It has 287 steps and is more than 90 metres high. The views from the stop are worth the effort.
St. Wenceslas Chapel is decorated with frescoes and semi-precious stones. And a door in the south-western corner of the chapel leads to the Crown Chamber in which the Bohemian Coronation Jewels are stored.
It is free for visitors to enter the first part of St. Vitus Cathedral. A ticket must be purchased to visit the whole cathedral.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.