The Musée Granet is a museum in the quartier Mazarin, Aix-en-Provence, France devoted to painting, sculpture and archeology. The museum, adjacent to the Church of Saint-Jean-de-Malte, first opened in 1838 in buildings previously belonging to the priory of Saint-Jean-de-Malte. It still shares a common garden with the church.
It recently underwent significant restoration and reorganization, prior to the international exhibition in 2006 marking the centenary of Cézanne's death. Due to lack of space, the large archeological collection, including many recent discoveries, will be displayed in a new museum, still in the planning stages. The museum contains major paintings by Jean-Dominique Ingres (among which the monumental 'Jupiter and Thetis'), an authentic self-portrait by Rembrandt and works by Anthony van Dyck, Paul Cézanne, Alberto Giacometti and Nicolas de Staël.
In June 2011, the first part of the collection of the Fondation Jean et Suzanne Planque opened at the Musée Granet, containing over 180 artworks. This legacy of the Swiss painter, dealer and art collector Jean Planque, a personal friend of Pablo Picasso, has been donated to the city for an initial period of 15 years. The collection contains over 300 works of art, including paintings and drawings by Degas, Renoir. Gauguin, Monet, Cézanne, Van Gogh, Picasso, Pierre Bonnard, Paul Klee, Fernand Léger, Giacometti and Dubuffet. The full collection will be housed in a specially constructed annex in the Chapelle des Pénitents Blancs, situated nearby: the expected opening is in 2013.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.