The Museum of European and Mediterranean Civilisations (Mucem) is a national museum located in Marseille. It was inaugurated in 2013. The museum is devoted to European and Mediterranean civilisations. With a permanent collection charting historical and cultural cross-fertilisation in the Mediterranean basin, it takes an interdisciplinary approach to society through the ages up to modern times.
The museum is built on reclaimed land at the entrance to the harbour, next to the site of the 17th-century Fort Saint-Jean and a former port terminal called the J4. A channel separates the new building and the Fort Saint-Jean, which has been restructured as part of the project. The two sites are linked by a high footbridge, 130 m long. Another footbridge links the Fort Saint-Jean to the Esplanade de la Tourette, near the church of St Laurent in the Panier quarter.
The museum, built 'of stone, water and wind' was designed by the architect Rudy Ricciotti in collaboration with the architect Roland Carta. A cube of 15,000 square metres surrounded by a latticework shell of fibre-reinforced concrete, it houses exhibits on two levels, with an underground auditorium seating 400. The permanent collection and bookshop are situated on the ground floor. There is a restaurant on the terrace at the top of the building with panoramic views of the bay of Marseille, the Corniche and the Prado.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.