La Vieille Charité is a former almshouse, now functioning as a museum and cultural centre. Constructed between 1671 and 1749 in the Baroque style to the designs of the architect Pierre Puget, it comprises four ranges of arcaded galleries in three storeys surrounding a space with a central chapel surmounted by an ovoid dome.
The main body of the structure is a rectangle, 112 m by 96 m, composed of four walls in pink and yellow-tinted molasse stone from the ancient quarries at Cap Couronne, with no outward facing windows. On the inside are three arcaded galleries superposed on each other, opening onto an interior courtyard measuring 82 m by 45 m. In the centre of the courtyard is a harmonious chapel, a round church, crowned by an ellipsoidal dome and fronted by a portico in the classical style with Corinthian columns. This Baroque chapel ranks as one of Puget's most original designs.
La Vieille Charité houses a number of different cultural and educational resources like the Museum of Mediterranean Archaeology on the first floor. It covers oriental and classical antiquities, as well as local Celto-Ligurian archaeology. The Museum of Art of Africa, Oceania and Amerindia, on the second floor, contains an unusually collection of artefacts, including masks from Mexico and West Africa and a unique collection of engraved human skulls and trophy heads from South America.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.