La Vieille Charité is a former almshouse, now functioning as a museum and cultural centre. Constructed between 1671 and 1749 in the Baroque style to the designs of the architect Pierre Puget, it comprises four ranges of arcaded galleries in three storeys surrounding a space with a central chapel surmounted by an ovoid dome.
The main body of the structure is a rectangle, 112 m by 96 m, composed of four walls in pink and yellow-tinted molasse stone from the ancient quarries at Cap Couronne, with no outward facing windows. On the inside are three arcaded galleries superposed on each other, opening onto an interior courtyard measuring 82 m by 45 m. In the centre of the courtyard is a harmonious chapel, a round church, crowned by an ellipsoidal dome and fronted by a portico in the classical style with Corinthian columns. This Baroque chapel ranks as one of Puget's most original designs.
La Vieille Charité houses a number of different cultural and educational resources like the Museum of Mediterranean Archaeology on the first floor. It covers oriental and classical antiquities, as well as local Celto-Ligurian archaeology. The Museum of Art of Africa, Oceania and Amerindia, on the second floor, contains an unusually collection of artefacts, including masks from Mexico and West Africa and a unique collection of engraved human skulls and trophy heads from South America.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.