When the previous synagogue on the Rue Grignan in Marseille was in disrepair and too small, a campaign began in 1855 to raise money for a new site. The design by the architect Nathan Salomon was approved in 1860 and the building finished in 1864.
The synagogue takes the basilica form more commonly associated with ancient Greece and Rome, and churches. It is built in the Romano-Byzantine style, and takes influence from the Synagogue de Nazareth, completed in Paris in 1852. A pulpit and an organ – both also associated more with Christian buildings than Jewish ones – feature inside, and the mix of Western and Oriental designs was chosen to reflect the diversity of the worshippers.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.