The Château of Vauvenargues is a fortified bastide in the village of Vauvenargues, just outside the town of Aix-en-Provence.
Built on a site occupied since Roman times, it became a seat of the Counts of Provence in the Middle Ages, passing to the Archbishops of Aix in the 13th century. It acquired its present architectural form in the 17th century as the family home of the marquis de Vauvenargues. After the French revolution it was sold to the Isoard family, who despite their humble origins eventually installed their coat of arms in the chateau. 19th century additions include a ceramic maiolica profile in the Italian renaissance style of René of Anjou, one of the former owners, and a small shrine containing the relics of St Severin.
In 1929 the chateau was officially listed as a historic monument. In 1943 it was sold by the Isoard family to three industrialists from Marseille, who stripped it of its furnishings and mural decoration, some of which still survives in the Château of La Barben. In 1947 it became a vacation centre for a maritime welfare institution.
It was acquired in September 1958 by the exiled Spanish artist Pablo Picasso, seeking a more isolated working place than his previous home, 'La Californie' in Cannes. He occupied and remodeled the chateau from 1959 until 1962, after which he moved to Mougins. He and his wife Jacqueline are buried in the grounds of the chateau of Vauvenargues, which is still the private property of the Picasso family. Their tomb is a grassy mound surmounted by La Dame à l'offrande (1933), a monumental sculpture that previously guarded the entrance of the Spanish pavilion at the International Exhibition in Paris in 1937.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.