The Church of St. John in Aix-en-Provence, situated at the corner of rue d'Italie and rue Cardinale, is a Gothic Roman Catholic church, the first in Provence. It was built in the 13th century, mostly in the 1270s.
The site was initially occupied in the twelfth century by a hospice and chapel of the Knights Hospitaller of the Order of Malta, under the jurisdiction of the priory of Saint-Gilles in Provence. The thirteenth-century church formed part of a priory of the same order situated in olive groves outside the city walls of Aix. From the thirteenth century it served as a burial place for the Counts of Provence.
In the 17th century the parish was incorporated within the city of Aix when the ramparts were extended to the south and the adjoining lands of the priory sold off to help create the quartier Mazarin. In the aftermath of the French revolution most of the internal furnishings, treasures and statuary of the church were removed or plundered and the church itself converted into a military storehouse. In the 19th century it was eventually restored to religious use as a parish church.
The church is currently under the ministry of a brotherhood of apostolic monks. The nineteenth century organ in Saint-Jean-de-Malte was replaced in 2006 by a baroque-style organ built by Daniel Kern. The interior of the church may be seen in Michelangelo Antonioni's 1995 film Beyond the Clouds.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.