Château de Dampierre was built in the 16th century to the site of medieval castle. In the 14th century, Hébert Thésard, a descendant of Raoul Theu-Zart, Rollon's companion, married Perette de Dampierre, the last heir of the eponymous fief. Their great-granddaughter, Marie, married Jean II de Longaunay, the lord of Damigny near Bayeux, for the second time, at the beginning of the 16th century. Their son, Hervé IV de Longaunay, settled in Dampierre and was one of the close associates of Marshal de Matignon. During the Wars of Religion, after renouncing Protestantism, Hervé joined the Catholic party. However, remaining loyal to the crown, he sided with Henry IV upon his accession to the throne. Hervé, while he was the king's lieutenant general, died in 1590 at the Battle of Ivry. Hervé rebuilt the castle, probably replacing a medieval construction, with the moats and tower bases preserved.
His son, Jean de Longaunay, military intendant of Saint-Lô, joined the League. In the second half of the 17th century, the fief was elevated to a marquisate.
During the Revolution, the main residence was destroyed, as were the outbuildings located to the south and north of the courtyard.
In the 19th century, the castle was owned by the Marquis de Briges, an old family from Lozère, who owned numerous properties in Lower Normandy. In 1891, upon the death of the last heiress, Marie-Barbe de Briges-Longaunay, the estate passed to her nephew, François Doynel de Sausserie, who from 1924 to 1927 dismembered it.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.