The Château de Meung-sur-Loire, located next to the collegial church, was the country residence of the Bishops of Orléans. It was built and destroyed several times. The oldest still existing parts date from the 13th century and were built by Manassès de Seignelay (bishop from 1207 to 1221). Still standing are the main rectangular plan building, flanked by three towers, a fourth having been destroyed.
During the Hundred Years' War, the building was transformed into a fortress; it was taken from the English by Joan of Arc on 14 June 1429. At the end of the 15th century and start of the 16th century, building to the north incorporated a tower with drawbridge. The castle was abandoned from the Wars of Religion until the start of the 18th century, when Bishop Fleuriau d'Armenonville undertook the transformation of the structure into a comfortable residence.The rear façade was rebuilt in the Classical style by d'Armenonville. Beneath the castle are dungeons, a chapel and various medieval torture instruments, including one used for water torture.
In the middle of the 18th century, a wing was added to the southeast with a staircase serving the upper floors of the wing. In 1784, the chapel was built in the Neoclassical style, with sculpture by Delaistre. The two pavilions in the grounds are contemporary with this chapel.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.