Fleeing from the Normans and carrying with them the relics of their founder, St-Laumer, some Benedictine monks found shelter in Blois where they decided to build their abbey. the present church, today known as St. Nicolas, but whose real name is St. Laumer, was the former abbey-church.
From 1138 to 1186 these monks built the choir, the transept and the first row of columns of the abbey-church, completing it at the beginning of the next century. During the War of Religion the church was disfigured and the abbey itself destroyed by the Protestants. In the 17th and 18th centuries abbey was rebuilt, it was turned into a hospital at the time of the Revolution.
The speed with which the church was built and the sole addition of the apse chapel in the 14th century give a surprising unity to the whole. On entering the church, one could imagine that it was worked in the same stone by the same workman, for the same majestic and robust characteristics appear in all the different parts of the church. The elegant form of the choir, the crossbar, the majestic pillars of the transept-cross, the statues of people and masks which are to be found along the entire length of the building, the perspective inside the church, where the horizontal lines dominate the verticals; all this adds up to harmonious ensemble, which places the abbey-church of St. Laumer among the most remarkable examples of French medieval architecture.
However, two different periods of construction - about 20 years between them - have left the building with two different, and very marked, architectural styles. It is from the center of the church that the visitor will be able to notice these characteristics the most easily.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.