La Trinità della Cava, commonly known as Badia di Cava, is a Benedictine territorial abbey located near Cava de' Tirreni, in the province of Salerno, southern Italy. It stands in a gorge of the Finestre Hills.
It was founded in 1011 by Alferius of Pappacarbone, a noble of Salerno who became a Cluniac monk and had lived as a hermit in the vicinity since 1011. Pope Urban II endowed this monastery with many privileges, making it immediately subject to the Holy See, with jurisdiction over the surrounding territory.
In 1394, Pope Boniface IX elevated it to a diocese, with the abbots functioning as bishops. In 1513, Pope Leo X separated the two offices, detaching the city of Cava from the abbot's jurisdiction. About the same time the Cluniacs were replaced by Cassinese monks.
The monastery was closed under Napoleon but the community remained relatively unscathed, thanks to Abbot Carlo Mazzacane, and was restored after his fall. The abbey still provides the surrounding parishes with clergy.
The church and the greater part of the buildings were entirely modernized in 1796. The old Gothic cloisters are preserved. The church contains a fine organ and several ancient sarcophagi.
The church of the monastery has the tombs of Queen Sibylla of Burgundy (died 1150), second consort of King Roger II of Sicily, and a number of notable ecclesiastics.
The monastery contains the Biblioteca statale del Monumento Nazionale Badia di Cava with its rich archives of public and private documents, which date back to the 8th century, e.g., the Codex Legum Longobardorum of 1004 (the oldest digest of Lombard law), and the La Cava Bible and fine incunabula. The monastery later became the seat of a national educational establishment, under the care of the Benedictines.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.