Amalfi Cathedral is a 9th-century Roman Catholic cathedral in the Piazza del Duomo, Amalfi. It is dedicated to the Apostle Saint Andrew whose relics are kept here. The newer cathedral was built next to the older basilica that was built on the ruins of a previous temple. The remains of St. Andrew were reportedly brought to Amalfi from Constantinople in 1206 during the Fourth Crusade by Cardinal Peter of Capua. In 1208, the crypt was completed and the relics were turned over to the church. It said that later on manna issued from the saint's bones.
Predominantly of Arab-Norman Romanesque architectural style, the cathedral has been remodeled several times, adding Romanesque, Byzantine, Gothic, and Baroque elements. The cathedral includes the adjoining 9th-century Basilica of the Crucifix. Leading from the basilica are steps into the Crypt of St. Andrew.
The front facade was rebuilt in 1891 after the original one collapsed. It is of striped marble and stone with open arches that have lace detailing not commonly found in Italian sacred architecture while the tiled cupola is quite common amongst churches of the area.
Cast in Constantinople before 1066, and signed by Simeon of Syria, the cathedral's bronze doors are the earliest in Italy of post-Roman manufacture. Begun in 1180, and completed over 100 years later, the Romanesque style bell tower is off-center. The structure includes four small towers of Arab architectural type that are adorned with arches and are covered with majolica tiles. During times of war, the bell tower was purposed for defense. The garden contains colonnades, arches, and sculptures.
A wooden 13th century Crucifix hangs in the liturgical area. Another crucifix, made of mother-of-pearl, was brought from the Holy Land and is located to the right of the back door.
The High Altar in the central nave is formed from the sarcophagus of the Archbishop Pietro Capuano (died 1214). Above the altar is a painting by Andrea dell'Asta of The Martyrdom of St. Andrew. The boxed ceiling dates to 1702 and its artwork includes the Flagellation, the Crucifixion of the Apostle, and the Dell'Asta's 1710 Miracle of the Manna. The triumphal arch is held up by two Egyptian granite columns. There are two additional twisted columns and two pulpits that were part of the 12th century ambo. One of the pillars boasts a hidden column as an example of the ancient Romanesque structure.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.