Amalfi Cathedral is a 9th-century Roman Catholic cathedral in the Piazza del Duomo, Amalfi. It is dedicated to the Apostle Saint Andrew whose relics are kept here. The newer cathedral was built next to the older basilica that was built on the ruins of a previous temple. The remains of St. Andrew were reportedly brought to Amalfi from Constantinople in 1206 during the Fourth Crusade by Cardinal Peter of Capua. In 1208, the crypt was completed and the relics were turned over to the church. It said that later on manna issued from the saint's bones.
Predominantly of Arab-Norman Romanesque architectural style, the cathedral has been remodeled several times, adding Romanesque, Byzantine, Gothic, and Baroque elements. The cathedral includes the adjoining 9th-century Basilica of the Crucifix. Leading from the basilica are steps into the Crypt of St. Andrew.
The front facade was rebuilt in 1891 after the original one collapsed. It is of striped marble and stone with open arches that have lace detailing not commonly found in Italian sacred architecture while the tiled cupola is quite common amongst churches of the area.
Cast in Constantinople before 1066, and signed by Simeon of Syria, the cathedral's bronze doors are the earliest in Italy of post-Roman manufacture. Begun in 1180, and completed over 100 years later, the Romanesque style bell tower is off-center. The structure includes four small towers of Arab architectural type that are adorned with arches and are covered with majolica tiles. During times of war, the bell tower was purposed for defense. The garden contains colonnades, arches, and sculptures.
A wooden 13th century Crucifix hangs in the liturgical area. Another crucifix, made of mother-of-pearl, was brought from the Holy Land and is located to the right of the back door.
The High Altar in the central nave is formed from the sarcophagus of the Archbishop Pietro Capuano (died 1214). Above the altar is a painting by Andrea dell'Asta of The Martyrdom of St. Andrew. The boxed ceiling dates to 1702 and its artwork includes the Flagellation, the Crucifixion of the Apostle, and the Dell'Asta's 1710 Miracle of the Manna. The triumphal arch is held up by two Egyptian granite columns. There are two additional twisted columns and two pulpits that were part of the 12th century ambo. One of the pillars boasts a hidden column as an example of the ancient Romanesque structure.References:
Les Invalides is a complex of buildings containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building"s original purpose. The buildings house the Musée de l"Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d"Histoire Contemporaine, as well as the burial site for some of France"s war heroes, notably Napoleon Bonaparte.
Louis XIV initiated the project in 1670, as a home and hospital for aged and unwell soldiers: the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant. The enlarged project was completed in 1676, the river front measured 196 metres and the complex had fifteen courtyards. Jules Hardouin Mansart assisted the aged Bruant, and the chapel was finished in 1679 to Bruant"s designs after the elder architect"s death.
Shortly after the veterans" chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme from its most striking feature. Inspired by St. Peter"s Basilica in Rome, the original for all Baroque domes, it is one of the triumphs of French Baroque architecture. The domed chapel is centrally placed to dominate the court of honour. It was finished in 1708.
Because of its location and significance, the Invalides served as the scene for several key events in French history. On 14 July 1789 it was stormed by Parisian rioters who seized the cannons and muskets stored in its cellars to use against the Bastille later the same day. Napoleon was entombed under the dome of the Invalides with great ceremony in 1840. In December 1894 the degradation of Captain Alfred Dreyfus was held before the main building, while his subsequent rehabilitation ceremony took place in a courtyard of the complex in 1906.
The building retained its primary function of a retirement home and hospital for military veterans until the early twentieth century. In 1872 the musée d"artillerie (Artillery Museum) was located within the building to be joined by the Historical Museum of the Armies in 1896. The two institutions were merged to form the present musée de l"armée in 1905. At the same time the veterans in residence were dispersed to smaller centres outside Paris. The reason was that the adoption of a mainly conscript army, after 1872, meant a substantial reduction in the numbers of veterans having the twenty or more years of military service formerly required to enter the Hôpital des Invalides. The building accordingly became too large for its original purpose. The modern complex does however still include the facilities detailed below for about a hundred elderly or incapacitated former soldiers.