Amalfi Cathedral

Amalfi, Italy

Amalfi Cathedral is a 9th-century Roman Catholic cathedral in the Piazza del Duomo, Amalfi. It is dedicated to the Apostle Saint Andrew whose relics are kept here. The newer cathedral was built next to the older basilica that was built on the ruins of a previous temple. The remains of St. Andrew were reportedly brought to Amalfi from Constantinople in 1206 during the Fourth Crusade by Cardinal Peter of Capua. In 1208, the crypt was completed and the relics were turned over to the church. It said that later on manna issued from the saint's bones.

Architecture 

Predominantly of Arab-Norman Romanesque architectural style, the cathedral has been remodeled several times, adding Romanesque, Byzantine, Gothic, and Baroque elements. The cathedral includes the adjoining 9th-century Basilica of the Crucifix. Leading from the basilica are steps into the Crypt of St. Andrew.

The front facade was rebuilt in 1891 after the original one collapsed. It is of striped marble and stone with open arches that have lace detailing not commonly found in Italian sacred architecture while the tiled cupola is quite common amongst churches of the area.

Cast in Constantinople before 1066, and signed by Simeon of Syria, the cathedral's bronze doors are the earliest in Italy of post-Roman manufacture. Begun in 1180, and completed over 100 years later, the Romanesque style bell tower is off-center. The structure includes four small towers of Arab architectural type that are adorned with arches and are covered with majolica tiles. During times of war, the bell tower was purposed for defense. The garden contains colonnades, arches, and sculptures.

Interior

A wooden 13th century Crucifix hangs in the liturgical area. Another crucifix, made of mother-of-pearl, was brought from the Holy Land and is located to the right of the back door.

The High Altar in the central nave is formed from the sarcophagus of the Archbishop Pietro Capuano (died 1214). Above the altar is a painting by Andrea dell'Asta of The Martyrdom of St. Andrew. The boxed ceiling dates to 1702 and its artwork includes the Flagellation, the Crucifixion of the Apostle, and the Dell'Asta's 1710 Miracle of the Manna. The triumphal arch is held up by two Egyptian granite columns. There are two additional twisted columns and two pulpits that were part of the 12th century ambo. One of the pillars boasts a hidden column as an example of the ancient Romanesque structure.

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Details

Founded: 9th century AD
Category: Religious sites in Italy

Rating

4.7/5 (based on Google user reviews)

User Reviews

John Carey (7 months ago)
Beautiful cathedral with Byzantine and Muslim influences. Complex includes a cloister, museum and crypt. The church itself is ornare and distinctive. Well worth a visit.
Amarpreet Sran (7 months ago)
It’s a very beautiful and huge church in Amalfi.You are not allowed to take pictures here but everyone was doing it anyways.The roof is done very beautifully.You can take out some food or gelato and eat at the steps.
Ormy P. (8 months ago)
Surprisingly beautiful place hidden in the busy area. All exterior and interior is well preserved. Only 3 Euro for Entrance fee.
Daniela Botosaru (8 months ago)
I enjoyed visiting this cathedral. It is worth seeing it if you are passing by, especially that the entrance ticket is cheap. Good place to hide from the rain too.
Poseidónas Greek eline (9 months ago)
Cathedral of St. Andrew the First-Called. Stately structure. Interesting architecture. The area, the long and vertical stairs to the terrace of the temple all inspire respect. The atmosphere is imbued with spirit and spirit of important events of the times when the city was the capital. Would recommend this place.
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Wawel Castle

Wawel Hill – a Jurassic limestone rock, a dominant feature in the landscape of Kraków, have provided a safe haven for people who have settled here since the Paleolithic Age. It is supposed that the Slav people started living on Wawel hill as early as the 7th century. Early medieval legends tell stories about a dreadful dragon that lived in a cave on Wawel Hill, about his slayer Krakus, and about the latter’s daughter Wanda, who drowned herself in the Vistula rather than marry a German knight. Towards the end of the first millennium A.D Wawel began to play the role of the centre of political power.In the 9th century it became the principal fortified castrum of the Vislane tribe. The first historical ruler of Poland, Miesco I (c.965-992) of the Piast dynasty as well as his successors: Boleslas the Brave (992-1025) and Miesco II (1025-1034) chose Wawel Hill as one of their residences.

At that time Wawel became one of the main Polish centres of Christianity. The first early Romanesque and Romanesque sacral buildings were raised here, including a stone cathedral that was erected after the bishopric of Kraków was established in the year 1000.

During the reign of Casimir the Restorer (1034-1058) Wawel became a significant political and administrative centre for the Polish State. Casimir’s son, Boleslas the Bold (1058-1079) began the construction of a second Romanesque cathedral, which was finished by Boleslas the Wrymouth (1102-1138). In his last will of 1138, this prince divided Poland into districts, and provided that Kraków was to be the residence of the senior prince. In 1291 the city of Kraków along with Wawel Hill temporarily fell under the Czech rule, and Wenceslas II from the Premysl dynasty was crowned King of Poland in Wawel cathedral.

In 1306 the Duke of Kuyavia Ladislas the Short (1306-1333) entered Wawel and was crowned King of Poland in the Cathedral in 1320. It was the first historically recorded coronation of a Polish ruler on Wawel Hill. Around that time, at the initiative of Ladislas the Short, the construction of the third Gothic cathedral began, the castle was expanded and the old wooden and earthen fortifications were replaced by brick ones. The tomb of Ladislas the Short in the cathedral started a royal necropolis of Polish kings in Krakow.The last descendant of the Piast dynasty, Casimir the Great (1333-1370) brought Wawel to a state of unprecedented splendour. In 1364 the expanded gothic castle witnessed the marriage of Casimir’s granddaughter Elizabeth to Charles IV accompanied by a famous convention of kings and princes, subsequently entertained by a rich burgher Wierzynek. The accession to the throne in 1385 of Jadwiga from the Hungarian dynasty of Andegavens, and her marriage to a Lithuanian prince Ladislas Jagiello (1386-1434) started another era of prosperity for Wawel. The royal court employed local and western European artists and also Rus painters. During the reign of Casimir Jagiellon (1447-1492) the silhouette of the hill was enriched by three high brick towers: the Thieves’ Tower, the Sandomierz Tower and the Senatorial Tower. The first humanists in Poland and tutors to the king’s sons: historian Jan Długosz and an Italian by the name Filippo Buonacorsi (also known as Callimachus) worked there at that time.

The Italian Renaissance arrived at Wawel in the early 16th century. King Alexander (1501-1506) and his brother Sigismund I the Old (1506-1548) commissioned the construction of a new palace in place of the Gothic residence, with an impressive large courtyard with arcaded galleries which was completed about 1540. Sigismund’s patronage also left an indelible impression in the cathedral, where a family chapel was erected, known today as Sigismund’s Chapel - the work of Bartolomeo of Berrecci Florence, and through various foundations, one of which was that of a large bell, called the Sigismund to commemorate the king. Close artistic and cultural relations with Italy were strengthened in 1518 by the king’s marriage to Bona Sforza. Alongside Italian artists, German architects, wood workers, painters and metal smiths worked for the king. The last descendant of the Jagiellonian dynasty, Sigismund II Augustus (1548-1572), enriched the castle’s interiors with a magnificent collection of tapestries woven in Brussels. In the “Golden Age” of Polish culture Wawel became one of the main centres of humanism in Europe.

The reign of Sigismund III Waza (1587-1632) also made a strong impression on the history of Wawel. After a fire in the castle in 1595 the king rebuilt the burned wing of the building in the early Baroque style. The relocation of the royal court to Warsaw was the cause of a slow but nevertheless steady deterioration in the castle’s condition. The monarchs visited Kraków only occasionally. Restoration of the castle was undertaken during the reign of John III Sobieski, the Wettins and Stanislas Augustus to counteract neglect.

After Poland had lost its independence in 1795, the troops of partitioning nations, Russia, Prussia and Austria, subsequently occupied Wawel which finally passed into the hands of the Austrians. The new owners converted the castle and some of the secular buildings into a military hospital, and demolished some others, including churches. After the period of the Free City of Kraków (1815-1846) Wawel was once more annexed by Austria and turned into a citadel dominating the city. By the resolution passed by the Seym of Galicia in 1880, the castle was presented as a residence to the Emperor of Austria Franz Josef I. The Austrian troops left the hill between 1905-1911. At the turn of the 20th century a thorough restoration of the cathedral was conducted, and shortly afterwards a process of restoration of the royal castle began which lasted several decades.

When Poland regained its independence in 1918, the castle served as an official residence of the Head of State, and as a museum of historic interiors. During the Nazi occupation the castle was the residence of the German governor general, Hans Frank. Polish people managed to remove the most valuable objects, including the tapestries and the “Szczerbiec” coronation sword to Canada, from where they returned as late as 1959-1961. At present, the main curators of Wawel are Wawel Royal Castle – State Art Collection and the Metropolitan Basilica Board on Wawel Hill.