Located in the shadow of Mount Vesuvius, Herculaneum was an ancient Roman town destroyed by volcanic pyroclastic flows in 79 AD. Its ruins are located in the comune of Ercolano near Naples.
As a UNESCO World Heritage Site, it is famous as one of the few ancient cities that can now be seen in much of its original splendour, as well as for having been lost, along with Pompeii, Stabiae, Oplontis and Boscoreale, in the eruption of Mount Vesuvius in AD 79 that buried it. Unlike Pompeii, the deep pyroclastic material which covered it preserved wooden and other organic-based objects such as roofs, beds, doors, food and even some 300 skeletons which were discovered in recent years along the seashore. It had been thought until then that the town had been evacuated by the inhabitants.
Herculaneum was a wealthier town than Pompeii, possessing an extraordinary density of fine houses with, for example, far more lavish use of coloured marble cladding.
Ancient tradition connected Herculaneum with the name of the Greek hero Heracles, an indication that the city was of Greek origin. In fact, it seems that some forefathers of the Samnite tribes of the Italian mainland founded the first civilization on the site of Herculaneum at the end of the 6th century BC. Soon after, the town came under Greek control and was used as a trading post because of its proximity to the Gulf of Naples. In the 4th century BC, Herculaneum again came under the domination of the Samnites. The city remained under Samnite control until it became a Roman municipium in 89 BC.
The buildings at the site are grouped in blocks (insulae), defined by the intersection of the east-west and north-south streets.
The most famous of the luxurious villas at Herculaneum is the Villa of the Papyri. It was once identified as the magnificent seafront retreat for Lucius Calpurnius Piso Caesoninus, Julius Caesar's father-in-law.The villa stretches down towards the sea in four terraces. Piso, a literate man who patronized poets and philosophers, built a fine library there, the only one to survive intact from antiquity.
The Central Thermae were bath houses built around the first century AD. Bath houses were very common at that time, especially in Pompeii and Herculaneum. Per common practice, there were two different bath areas, one for men and the other for women. These houses were extremely popular, attracting many visitors daily. This cultural hub was also home to several works of art, which can be found in various areas of the Central Thermae site.References:
Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.