San Giorgio (St. George) is the most beautiful Baroque church existing in Salerno, rich in frescoes of the highest quality. It was part of the convent of Benedictine nuns, now a barracks of the Guardia di Finanza and Carabinieri. It is one of the oldest monastic settlements of Salerno, which dates back to the early ninth century. To this period belong the remains of an apse frescoes, recently discovered in the church. At the end of the sixteenth century in San Giorgio are transferred all the nuns of the other Benedictine monasteries in the city (St. Sophia, St. Michael and St. Mary Magdalene).
In 1711 the monastery was expanded with a new project elaborated by Ferdinando Sanfelice, the most famous Neapolitan architect of the first half of the eighteenth century. The interior is richly covered with murals and canvas paintings.
Among the other paintings in the church of great importance: The Virgin and Child with Saints and a nun praying by Andrea Sabatini, dated 1523, The Martyrdom of Saint George in capolatare dating back to the early decades of the seventeenth century, three paintings depicting San Gregorio Magno, the Holy Family with St. John, The Vision of St. Nicholas of Bari dated 1669, artworks by Giacinto De Populi, the Archangel Michael, dated 1690 by Francesco Solimena, some canvases portraying the Virtues, by Paolo De Matteis, dating from the early eighteenth century. Of particular value is the high altar in marble inlay with bas-reliefs and sculptures.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.