Anundshög is the largest tumulus in Sweden. It has a diameter of 60 metres and is about 9 metres high. Assessments of the era of the mound vary between the Bronze Age and the late Iron Age. A fireplace under it has been dated by radiocarbon dating to sometime between AD 210 and 540.
Some historians have associated the mound with the legendary King Anund, while others regard this as speculative. It is purported also that the name is taken from the large runestone at the site, the central stone in a row of 15 alongside the mound, re-erected in the 1960s and apparently marking out the route of the Eriksgata. The inscription on the runestone reads: "Folkvid raised all of these stones after his son Heden, Anund's brother. Vred carved the runes."
At the foot of the mound are 2 large stone ships placed end to end, 51 metres and 54 metres long. The site was a thing-place and the ship settings may be associated with this function.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.