Munsterbilzen Abbey was an abbey of Benedictine nuns in Bilzen, Limburg, Belgium, founded in around 670 by Saint Landrada.
It was an imperial abbey of the Holy Roman Empire separately administered from the surrounding County of Loon. The abbess exercised lordship over the village of Munsterbilzen and four more villages nearby until 1773, when she was forced to recognize the suzerainty of the Prince-Bishop of Liège. The abbey was dissolved and its property confiscated at the time of the French Revolution.
Dating back to the time of the Merovingian dynasty, it is considered the oldest women's convent in the Greater Netherlands, and, together with the abbey of Sint-Truiden, the abbey of Aldeneik, the abbey of Susteren, and the abbey Rolduc, one of the most important monasteries in the Dutch-speaking part of the diocese of Liège.
Almost nothing is left of the once powerful medieval monastery. From the old parish church, right next to the disappeared abbey church, only the church tower from 1565-67 remains. The church itself is neo-Gothic. In the interior there is a Roman baptismal font, the tombstone of canoness Anna van Merode, and a large number of paintings and sculptures from the 15th-18th century. Also during excavations in 2006 under the parish church the remnants of an early medieval church were found.
The so-called abbess house and the main entrance in Maaslandse renaissance style were rebuilt around 1730-50 after a design by the Aachen architect Johann Joseph Couven. The abbey school was built in 1725 at the expense of Abbess Anne-Antoinette of Tilly d'Aspremont of Lynden van Reckheim and was among other things meant for free education to six poor girls. The abbey complex is surrounded by a partly renovated monastery wall, on which are found the coats of arms of some abbesses.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.