The Château de Bressuire site has been inhabited continuously since the Celtic age. The castle was built on the site of an oppidum of the Gauls and was first documented in 1029, in a charter at Saint-Cyprien de Poitiers. It belonged to the Beaumont-Bressuire family until the start of the 16th century.
The castle is a fine example of medieval military architecture. In 1190, the castle consisted of an enceinte almost 700 metres around, with 38 towers circling the first fortress, itself defended by eight towers.
The visible remains date essentially from the end of the 12th and the start of the 13th century. The fortress included three enceintes, of which the outermost has now disappeared. The castle was broken up during the first half of the 18th century.
In 1441, Jacques de Beaumont became Seigneur de Bressuire. He converted the castle into a beautiful residence. From this time date the large building closing off the courtyard, that has mullion windows, splendid granite chimneys in the private rooms and an elegant gallery, all intended to show the refinement of the owner. The castle subsequently belonged to a number of families but its maintenance was ignored. In 1876, the building partly collapsed. The Bernard family bought the castle the same year. In 1880, a neo-Gothic château was built in the castle court, set back in relation to the former building.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.