The origin of Château de Duras was the church of Saint-Ayrard (now demolished), which was located 1200m from the castle. The church was given in 977 to the Abbey of La Réole by Gombaud, Bishop of Vasconie and Guillaume, Duke of Gascony. In 1087, Bertrand de Taillecavat gave a quarter of the church of Saint-Ayrard to the abbey of La Réole. In 1127 the priory of Saint-Ayrard's villa is destroyed by the Viscount of Besamont. A house and a chapel was then built on the current site of the castle. A charter of 1233 attributed to the prior of La Réole the rights to the city of Duras, as he owned the priory of Saint-Ayrard. The charter is signed by Geraud de Malemort, Archbishop of Bordeaux, Raymond, Bishop of Agen and Guillaume de Bouville, Lord of Duras.
The first castle of Duras dates from the 12th century and was built on a rocky outcrop overlooking the Dropt valley. The castle belonged to the family of Bouville. The castle was captured in 1254, from the Viscounts of Benauges and Bezaume by King Henry III of England after a revolt of the Gascon lords. He passed the castle to his son, the future Edward I.
In the early 14th century, Gaillard de Goth, brother of the first French pope Clement the 5th, inherited of Duras castle. Papal money must have been useful for the construction of a new fortress to replace the former medieval castle. Then, the lands of Duras became property of Arnaud de Durfort when he contracts a marriage with Marquèse de Goth, the Durfort became then Durfort-Duras and the castle remained property of the same family until 1838.
Today Château de Duras is open to the public. The visitor can browse History and Architecture through the 30 restored rooms
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.