The origin of Château de Duras was the church of Saint-Ayrard (now demolished), which was located 1200m from the castle. The church was given in 977 to the Abbey of La Réole by Gombaud, Bishop of Vasconie and Guillaume, Duke of Gascony. In 1087, Bertrand de Taillecavat gave a quarter of the church of Saint-Ayrard to the abbey of La Réole. In 1127 the priory of Saint-Ayrard's villa is destroyed by the Viscount of Besamont. A house and a chapel was then built on the current site of the castle. A charter of 1233 attributed to the prior of La Réole the rights to the city of Duras, as he owned the priory of Saint-Ayrard. The charter is signed by Geraud de Malemort, Archbishop of Bordeaux, Raymond, Bishop of Agen and Guillaume de Bouville, Lord of Duras.
The first castle of Duras dates from the 12th century and was built on a rocky outcrop overlooking the Dropt valley. The castle belonged to the family of Bouville. The castle was captured in 1254, from the Viscounts of Benauges and Bezaume by King Henry III of England after a revolt of the Gascon lords. He passed the castle to his son, the future Edward I.
In the early 14th century, Gaillard de Goth, brother of the first French pope Clement the 5th, inherited of Duras castle. Papal money must have been useful for the construction of a new fortress to replace the former medieval castle. Then, the lands of Duras became property of Arnaud de Durfort when he contracts a marriage with Marquèse de Goth, the Durfort became then Durfort-Duras and the castle remained property of the same family until 1838.
Today Château de Duras is open to the public. The visitor can browse History and Architecture through the 30 restored rooms
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.