The Archaeological Museum of Ancient Corinth was constructed between 1931 and 1932, with intentions to display the numerous recent archaeological excavations. It contains an extensive collection of artefacts originally found in Ancient Corinth. The archaeological findings exhibited in the galleries convey the history of various items of sculptures and inscriptions from different time periods and findings.
The prehistoric gallery contains findings from various vases and cult figurines, which are physical proof of the intense activity and settlement that occurred in these regions during the prehistoric period.
The Classical gallery contains findings originally from the Geometric, Archaic, Classical and Hellenistic City of Corinth.
The Roman gallery contains findings located in the Roman, Byzantine and Frankish city. Numerous sculptures and interesting mosaics found in Roman villas of the Colonia Laus Lulia Corinthiensis are shown in this exhibition. Other unique objects are also present, majority consisting of glazed plates originating from the Byzantine era of the city, as well as from the Frankish rule.
The gallery entitled 'Asklepeion, the healing sanctuary', contains findings situated form the Sanctuary of Asklepios and the Early Christian cemetery. The exhibit includes unique findings from the sanctuary of Asklepios in Ancient Corinth. Majority of these artefacts were clay offerings shaped as human body parts, as well as Byzantine funerary stelae from Corinth's early Christian cemetery.
The Atrium gallery includes a collection of statues, sculptures, Greek and Latin inscriptions as well as findings that serve as proof of the presence of the Judaic community in the Roman city.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.