Château de Selles-sur-Cher dates originally back to the late 10th century, when Theobald I, Count of Blois, built a dungeon into the mound. Around 1140, Ginon de Mehun built a fortified castle on the site. In 1212, Robert de Courtenay of the Capetian House of Courtenay built a new castle with three corner towers and a gatehouse.
In the second half of the 16th century, the north and south pavilions and a south gatehouse were built, most likely for the de Trémouille family, lords of Selles. The pavilions, main entrance and interior of the 13th-century gatehouse were redesigned in 1612 for Philippe de Béthune, count of Selles, by architect Jacques Androuet II du Cerceau.
In 1719, Anne-Marie-Louise de Béthune, sister of the queen of Poland, sold the castle to Cardin Lebret, count of Selles. In 1810, Armand-Louis-Jean de Jehannot, Marquis de Bartillat, owned the castle and began significant renovations. However, in 1813 the Bande noire destroyed the west gallery. Starting in 1880, the castle underwent significant restoration work under the du Moulinet d'Hardemare family. Architect Pierre Chauvallon led a major restoration of the château in 1913.
The restored château hosts today festivals and other events. In 2016, a 300-year-old Lebanon Cedar on the grounds of the castle was named a 'Remarkable Tree of France'. In 2021, painted murals from the 17th century were uncovered in the salle des pavillons dorés. The murals were hidden behind wallpaper and plaster, which was removed with a scalpel during a six-week process. These paintings, which included mythological scenes and Latin maxims, were probably made around 1625, when Philippe de Béthune converted the gilded pavilion into a living room.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.