Built on the remains of a Roman Arx during the Lombard era, the Caiazzo Castle was owned by notable figures like Count Theodoric of Caiazzo (9th century) and Count Landone (1034). Later, it fell under Norman rule and was fortified by Roger II with permanent garrisons.
In 1229, during the Hohenstaufen period, Caiazzo was besieged by John of Brienne but was freed by Emperor Frederick II, who stayed at the castle. Under the Angevins, it changed hands multiple times, eventually belonging to Lucrezia d'Alagno in 1461, who reinforced the walls against artillery fire.
In 1569, Matteo di Capua owned it, hosting poet Giovan Battista Marino. The Corsi family acquired it in 1607, followed by Giuseppe Andrea De Angelis in 1836, who heavily remodeled it, altering its medieval appearance.
The quadrangular castle sits atop a hill overlooking Caiazzo and the Volturno Valley. It has four towers: three round limestone ones and the square Torre di Lucrezia, named after Lucrezia d'Alagno. This tower includes multiple residential levels with vaulted ceilings and large windows, ending with a defensive rooftop.
The castle has two entrances, one near Torre di Lucrezia and another at the end of an old moat. The lower level retains its medieval service rooms with ogival arches, while a staircase leads to the 12th-century church of Santa Maria al Castello and the remodeled 19th-century residential quarters.
Nearby, remnants of Samnite polygonal walls from the 4th century BCE can be seen.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.