Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.References:
Stavanger Cathedral is Norway's oldest cathedral. Bishop Reinald, who may have come from Winchester, is said to have started construction of the Cathedral around 1100. It was finished around 1150, and the city of Stavanger counts 1125 as its year of foundation. The Cathedral was consecrated to Swithin as its patron saint. Saint Swithun was an early Bishop of Winchester and subsequently patron saint of Winchester Cathedral. Stavanger was ravaged by fire in 1272, and the Cathedral suffered heavy damage. It was rebuilt under bishop Arne, and the Romanesque Cathedral was enlarged in the Gothic style.
In 1682, king Christian V decided to move Stavanger's episcopal seat to Kristiansand. However, on Stavanger's 800th anniversary in 1925, king Haakon VII instated Jacob Christian Petersen as Stavanger's first bishop in nearly 250 years.During a renovation in the 1860s, the Cathedral's exterior and interior was considerably altered. The stone walls were plastered, and the Cathedral lost much of its medieval looks. A major restoration led by Gerhard Fischer in 1939-1964 partly reversed those changes. The latest major restoration of the Cathedral was conducted in 1999. Andrew Lawrenceson Smith is famous for his works here.