The Arch of Trajan is an ancient Roman triumphal arch in Benevento. It was erected in honour of the Emperor Trajan across the Via Appia, at the point where it enters the city. The arch was built between 114 and 117.
In Lombard times, it was incorporated into the southern sector of the city walls and became known as Porta Aurea ('Golden Gate'). The church of Sant'Ilario, now housing the Videomuseum of the Arch, was built nearby. The arch was studied by Sebastiano Serlio in Renaissance times and drawn by Giovanni Battista Piranesi in the 18th century.
It was restored several times due to aging and earthquakes: under Pope Urban VIII, then in 1661, 1713 (after the marble architrave crumbled) and 1792. In 1850, on the occasion of Pope Pius IX's visit to Benevento, it was isolated through demolition of the adjoining buildings.
The arch has a single, barrel-vaulted archway, and is 15.60 m high and 8.60 m wide. Each façade has four pilasters at the corners of the two side pillars, supporting an entablature. Above the architraves is an attic which, like them, juts out in its central section above the archway. The arch is built in limestone covered by opus quadratum of Parian marble slabs. It has richly sculpted decorations on the two main façades. The attic features a dedicatory inscription and, at the sides, two bas-relief panels: on the outer sides the left-hand one, only partially preserved, depicted the Homage of the divinities of the province's countryside, and the one on the right the Founding of provincial colonies. On the inner side, on the left, was a depiction of Trajan welcomed by the Capitoline Triad and, on the right, Trajan in the Forum Boarium.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.