The Ceppaloni Castle, now owned by the Municipality of Ceppaloni, dates back to the Norman period but was later modified during the Angevin and Aragonese eras.
Built on a rocky spur overlooking the Sabato River valley, the castle was a strategic border fortress between the Kingdom of Naples and the Papal State-controlled Benevento. Initially ruled by Raone II of Fraineta, it was destroyed and rebuilt by King Roger II after conflicts with the papacy.
The castle was occupied by Beneventans during Frederick II’s absence and later burned by papal troops in 1229. Under the Angevins, it served as a royal and feudal stronghold, granted to French knights.
Ceppaloni played a role in Angio-Aragonese wars, hosting Alfonso V of Aragon in 1437. Later, it was owned by noble families, including the d’Avalos and della Leonessa, and became a baronial palace. Abandoned after the 1688 earthquake, it later housed a feudal court and prison until 1806.
The castle's layout evolved over nine centuries, reflecting Norman origins. It follows the natural rock contours, forming a triangular shape with an inner courtyard. A circular tower at the northwest corner remains, marking the original entrance, later relocated in the 16th century when the castle transitioned into a baronial residence.
Now undergoing restoration, Ceppaloni Castle stands as a historical landmark of Campania.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.