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Founded: 1900Category: Religious sites in Latvia
Historical period: Part of the Russian Empire (Latvia)
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St.John's church was dedicated on August 27, 1900 after the long history before. The first wooden church was built in 1461, the next, also made of wood, was built in 1530 and renovated in 1567. The masonry church was built in 1614-1615 and financed by Wilhelm Duke.
The fifth church in Saldus was built in 1737 on the hill where the present church stands. It was reconstructed in 1825. In 1898 the old church was torn down. Architect Wilhelm Neumann designed the church. Construction took place from 1898 to 1899 and cost 19,700 rubles.The completed church was named in honor of St. John.
The church was reconstructed in 1938 for a sum of 15,000 lats. The artist Ansis Bērziņš led the renovation of the interior and furnishings. The retreating German army bombed the church tower in 1944. The roof was also damaged. A temporary wooden tower was built in 1945-1946.
Demolition of the temporary tower began on June 13, 1981, and the construction of the new tower began ten days later. Saldus architect Edgars Krūmiņš designed the tower and V. Krivans made the rooster at the top of the spire. The renovated church was dedicated on August 1, 1982. The underground tombs were opened and researched during a renovation in 1995, when heated flooring was installed. The church facade was renovated in 2006.
References:The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.