Kabile manor lands was originally owned by Heinrich von Soblech (around 1580). Duke Wilhelm gave this feud to Matthias II von der Recke in 1619. Manor became the property of Jochan Ditrich von Behr in 1687. Since 1810 it was owned by Count Heinrich von Keiserling, who sold this property to Otto von Lieven in 1854. After the death of his son Kabile manor was managed by widow Baroness von Wolf born von der Recke. She lost her rights on the lands of the manor after the agrarian reform in 1920.
Architectural complex of the manor developed since the 17th century. Oldest buildings of the complex are the old manor house (built in the 17th century) and the stable. Buildings are situated around the regularly shaped yard. Servants' houses were built in a distance from the main road to the yard. Current Baroque manor house was built for Eleonora von Behr in the 3rd quarter of the 18th century. In he White Hall still preserved one of the unique decorative interiors finishes of the Rococo period. There also have preserved decorations lied on at the time of reconstruction of the 60s of the 19th century.
Regularly shaped garden was made at the manor house in the 18th century. Later in the mid-19th century there was added landscape park with pond. Origins of the park were made by Count Heinrich von Keiserling and von Lieven continued planting different exotic trees and plants in the garden and wood park.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.