Raudondvaris Castle is a Gothic-Renaissance gentry residence, located in the eponymous town of Raudondvaris. First mentioned as a pagan keep by Teutonic chroniclers in 1392. When Samogitia was handed over to the Order, the Teutons built a small castle of Koenigsburg on the site, housing 80 knights and 400 soldiers. The castle was further strengthened and enlarged following the Battle of Grunwald. Since then it was the personal property of kings of Poland until 1549, when Sigismund II Augustus donated it (along with the surrounding town) to his wife, queen-consort Barbara Radziwiłł. Following her death the red brick-built manor (which gave its' name to the surrounding village of Czerwony Dwór, modern Raudondvaris) fell into disuse and was sold to Gintowt-Dziewałtowski family, who sold it back to the mighty Radziwiłł family soon afterwards.
Between 1653 and 1664 Prince Janusz Radziwiłł ordered its' reconstruction and refurbishment, which gave it its' current form. Following his demise, the manor passed from one noble family to another, first the Worłowski, then given to Zabiełło family and finally in 1820s it was purchased by Benedykt Tyszkiewicz. After the November Uprising in 1831, the castle was devastated by the Russian army, however, it was rebuilt soon afterwards. The 1832-1855 renovation gave it the Gothic Revival shape, though some traces of earlier Renaissance and Gothic elements are still visible (particularly the round tower that is thought to be part of the original Teutonic stronghold). Around that time the manor was surrounded with a large English-style garden, with a large orangery housing lemon trees. In 1835 a wooden chapel was replaced with a permanent church designed by an Italian expatriate Wawrzyniec Cezary Anichini (who later died in the Red Manor and was buried near the chapel he designed). Between 1856 and 1860 the estate was slightly extended, with many more buildings designed by a German architect by the name of Voler. Those included a new orangery, stables, ice house and offices.
Tyszkiewicz family held the property until World War I. The manor was known to house that family's extensive art collection including works by Leonardo da Vinci, Rubens, Caravaggio and Jan Matejko. After the war the manor was confiscated byLithuanian authorities. The estate was divided onto individual plots, while the manor itself housed a school and then an orphanage.
The manor was badly damaged during World War II, but was rebuilt between 1962-1975. Currently it houses the Lithuanian Institute of Melioration (Lietuvos žemes úkio inžinierijos institutas), as well as a small museum devoted to both the Tyszkiewicz family and Lithuanian composer Juozas Naujalis born in the nearby village.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.