The complex of the Holy Spirit church and adjacent monastery was established in 1567. The construction was ordered by the King of Lithuania-Poland Wladyslaw Vasa. By the end of the 16th century, a monastery, a school and a printing shop were situated next to the church. In 1749 the church was badly damaged by fire.
After the reconstruction between 1749-1753 (made by architect January Kristof Glaubic) the church became the only Baroque style Orthodox sanctuary in Lithuania. The interior was crowned by a wooden iconostas resembling the Catholic altar, under which a crypt was built for the relics of Orthodox saints Anthony, John and Eustatius. In 1853 the relics were relocated to a new reliquary. The last reconstruction of the church was accomplished on the initiative of N. Muravyov. The monastery complex comprises two monasteries: the friary of Holy Spirit (built at the intersection in the 15th and 16th centuries) and the convent of Holy Mary Magdalene (built in the late 16th century). Both buildings (reconstructed in the 19th century) have Gothic fragments.
Today Holy Spirit church is the main Orthodox Church in Lithuania. The male and female monasteries next to the church are the only working Orthodox monasteries in Lithuania.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.