Until the end of 14th century Verkiai was a property of the Grand Dukes of Lithuania. There was a wooden manor even in 13th century. In 1387 Lithuanian Grand Duke Jogaila, on occasion of accepting Christianity, donated this place to Vilnius' Episcopate. Verkiai served as the permanent summer residence of Vilnius bishops until the end of 18th century.
Verkiai Palace became widely known after bishop Ignacy Jakub Massalski took over it in 1780. He hired two famous architects, Marcin Knackfus and Laurynas Gucevičius, to rebuild the palace in theNeoclassical style. The general plan and maintenance buildings were designed by Marcin Knackfus. The main palace building, the stables and several other buildings were designed by Gucevičius. The building was called 'the Versailles of Vilnius'. The palace had a little theatre, large library, and a small gun museum and was surrounded by a park.
The palace was severely damaged during the Napoleon's invasion of Russia. Eventually, the central building of the palace was pulled down on the order of a new owner, prince Ludwig Wittgenstein, who bought Verkiai in 1839. He also ordered restructuring the other buildings and the east wing office house assumed the role of the palace since the 1840s. It is attested that the first knownphotographs in present-day Lithuania were taken there in 1839, when Karol Podczaszyński made adaguerreotype of the palace which was intended to be rebuilt. The images have not survived.
After World War II, the remaining palace buildings were used as educational institutions and an art museum. Since 1960 the ensemble belongs to the Lithuanian Academy of Sciences Institute of Botany. Verkiai Palace complex is an important cultural and historical landmark in Verkiai Regional Park.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.