Until the end of 14th century Verkiai was a property of the Grand Dukes of Lithuania. There was a wooden manor even in 13th century. In 1387 Lithuanian Grand Duke Jogaila, on occasion of accepting Christianity, donated this place to Vilnius' Episcopate. Verkiai served as the permanent summer residence of Vilnius bishops until the end of 18th century.
Verkiai Palace became widely known after bishop Ignacy Jakub Massalski took over it in 1780. He hired two famous architects, Marcin Knackfus and Laurynas Gucevičius, to rebuild the palace in theNeoclassical style. The general plan and maintenance buildings were designed by Marcin Knackfus. The main palace building, the stables and several other buildings were designed by Gucevičius. The building was called 'the Versailles of Vilnius'. The palace had a little theatre, large library, and a small gun museum and was surrounded by a park.
The palace was severely damaged during the Napoleon's invasion of Russia. Eventually, the central building of the palace was pulled down on the order of a new owner, prince Ludwig Wittgenstein, who bought Verkiai in 1839. He also ordered restructuring the other buildings and the east wing office house assumed the role of the palace since the 1840s. It is attested that the first knownphotographs in present-day Lithuania were taken there in 1839, when Karol Podczaszyński made adaguerreotype of the palace which was intended to be rebuilt. The images have not survived.
After World War II, the remaining palace buildings were used as educational institutions and an art museum. Since 1960 the ensemble belongs to the Lithuanian Academy of Sciences Institute of Botany. Verkiai Palace complex is an important cultural and historical landmark in Verkiai Regional Park.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.