User Reviews
The Old Town of Vilnius, one of the largest surviving medieval old towns in Central Europe, has an area of 3.59 square kilometres. It encompasses 74 quarters, with 70 streets and lanes numbering 1487 buildings with a total floor area of 1,497,000 square meters. The oldest part of the Lithuanian capital ofVilnius, it has developed over the course of many centuries, and has been shaped by the city's history and a constantly changing cultural influence. It is a place where some of Europe's greatest architectural styles - gothic, renaissance, baroque and neoclassical - stand side by side and complement each other.
Pilies Street is the Old Town's main artery and the hub of cafe and street market life. The main street of Vilnius, Gediminas Avenue, is partially located in the Old Town. The central squares in the Old Town are the Cathedral Square and the Town Hall Square. One of the most elaborate architectural complexes is the Vilnius University Architectural Ensemble, which occupies a large part of the Old Town and has 13 courtyards. It was selected to represent Lithuania in the Mini-Europe Park in Brussels.
In 1994 the Vilnius Old Town was included in the UNESCO World Heritage List (No. 541) in recognition of its universal value and originality. The definition of 'historic center' itself has a broader meaning than the Old Town, formerly encircled with defensive walls. It embraces the valuable historical suburbs of Vilnius, such as Užupis, which historically used to be outside the city boundaries. Therefore Užupis is often considered a part of the Old Town of Vilnius.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.