The Naval cathedral of Saint Nicholas in Kronstadt is a Russian Orthodox cathedral built in 1903–1913 as the main church of the Baltic Fleet and dedicated to all fallen seamen. The cathedral was closed in 1929, and was converted to a cinema, a House of Officers (1939) and a museum of the Navy (1980). The Russian Orthodox Church reinstalled the cross on the main dome in 2002 and served the first Divine Liturgy in the cathedral in 2005, but since then it is opened only on special occasions.
The first Orthodox church in Kronstadt was built in 1728–31. The wooden church remained the main place of worship in Russia"s largest naval base until 1840, when the counterweights balancing the church bells broke through the rotting floors and seriously damaged the belltower structure. Emperor Nicholas I personally ordered the shutdown of the unsafe church and it was demolished in 1841. For the next half century worship was performed in temporary locations. A temporary wooden church built in 1861 was inadequate for the ten thousand Kronstadt seamen from the start.
Construction management, extremely centralised until the reign of Alexander II, was gradually decentralized in the 1880s–1890s. The right to initiate individual construction projects passed from the Emperor himself to imperial ministers and department chiefs. In 1896 admiral Pavel Tyrtov, director of the Imperial Russian Navy, started preparations to build a cathedral in Kronstadt in earnest. Tyrtov insisted that the cathedral be built on the site identified nearly two centuries earlier by Peter I and reasoned that it should not cost more than the new Kharkiv cathedral (200,000 roubles).
October 27, 1901 the 14,000 strong garrison of Kronstadt was summoned for the groundbreaking on Anchor Square. Earthwork and work on concrete foundations and a granite base continued through 1902; the walls were laid down in a massive ceremony May 8, 1903 with the Emperor in attendance. Despite social unrest that culminated in the Russian revolution of 1905, the cathedral was structurally complete in 1907. Anyway numerous amendments and changes were implemented by spring of 1909.
The cathedral operated as such for only 16 years. October 14, 1929 it was closed and valuables were nationalized to state treasury. A small portion of these relics were displayed at the Museum of Navy and the Russian Museum. In 1930—1931 the cathedral was defaced: its crosses and bells were toppled over and hauled to the foundries. One bell, weighing 4,726 kilograms (second largest) remained in place — either due to technical difficulties or deliberately, as an emergency alarm signal. Internal marble items, including the iconostasis and the memorial boards with names of the fallen seamen, were ripped out, broken or cut and reused for ordinary construction needs. A small number of memorial boards ended up in the Museum of Navy and were 'written off' in 1970.
In 1932 the cathedral hall was converted to a cinema, frivolously named New Star, but soon renamed to more appropriate Maxim Gorky; in 1939 the cinema was upgraded to a House of the Officers (akin to a community center) of Kronstadt garrison. During World War II it was closed; the dome received three direct artillery hits. Post-war 'reconstruction' of 1953—54 finally converted the cathedral to a functioning concert hall. This time, the builders added a suspended ceiling that isolated the hall from the dome; it remained in place as at end of 2007. Reduction of military personnel in 1960s made the concert hall redundant; in 1980 the cathedral reopened as a branch of the Central Museum of Navy.
The Church attempted to repossess the cathedral since 1990s. In 2005 the first Divine Liturgy in held the Naval Cathedral since 1929. As of September 2008 the cathedral is operational, but it is opened only on special occasions. The cathedral is undergoing extensive repairs and improvements, and was reconsecrated in April 2012. In his remarks, Russian president Dmitry Medvedev said the cathedral looked 'better than 100 years ago.' Repairs are scheduled to be completed in 2013, in time for the cathedral"s centennial anniversary.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.