The Narva Triumphal Arch was erected in the vast Narva Square (known as the Stachek Square in Soviet years), in 1814 to commemorate the Russian victory over Napoleon. The wooden structure was constructed on the Narva highway with the purpose of greeting the soldiers who were returning from abroad after their victory over Napoleon. The architect of the original Narva Arch was Giacomo Quarenghi. The program was meant to respond to theArc de Triomphe du Carrousel in Paris, originally erected to celebrate Napoleon's victory over the Allies at Austerlitz, but the material used was a weather-resistant plaster that was never intended to be permanent.
Between 1827 and 1834 Vasily Stasov redesigned and rebuilt the gate in stone. A similar gate, also by Stasov, was erected on the road leading to Moscow. A sculptor Vasily Demut-Malinovsky was responsible for the arch's sculptural decor. As has been conventional since Imperial Roman times, sculptures of Fame offering laurel wreaths fill the spandrels of the central arch. The mainentablature breaks boldly forward over paired Composite columns that flank the opening and support colossal sculptures. Nike, the Goddess of Victory surmounts the arch, in a triumphal car drawn by six horses, sculpted by Peter Clodt von Jürgensburg, instead of the traditional Quadriga.
Neither the arch nor the Russian Admiralty were protected from artillery bombardments during the Siege of Leningrad. A small military museum was opened in the upper part of the arch in 1989. At the beginning of 21st century the gate was capitally restored and according to experts, is in a fine condition as of August 2009.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.