The Peterhof Palace is a series of palaces and gardens laid out on the orders of Peter the Great. These Palaces and gardens are sometimes referred as the 'Russian Versailles'. The palace-ensemble along with the city centre is recognised as a UNESCO World Heritage Site.
Peter the Great first mentions the Peterhof site in his journal in 1705, during the Great Northern War, as a good place to construct a landing for use in travelling to and from the island fortress of Kronstadt. And in 1714, Peter began construction of the Monplaisir ('my pleasure') Palace based on his own sketches of the palace that he wanted close to the shoreline. This was Peter's Summer Palace that he would use on his way coming and going from Europe through the harbour at Kronstadt. On the walls of this seacoast palace hung hundreds of paintings that Peter brought from Europe and allowed to weather Russian winters without heat together with the dampness of being so close to the sea. And in the seaward corner of his Monplaisir Palace, Peter made his Maritime Study from which he could see Kronstadt Island to the left and St. Petersburg to the right. Later, he expanded his plans to include a vaster royal château of palaces and gardens further inland, on the model of Versailles. Each of the tsars after Peter expanded on the inland palaces and gardens of Peterhof, but the major contributions by Peter the Great were completed by 1725.
Peterhof originally appeared quite differently than it does today. Many of the fountains had not yet been installed. The entire Alexandrine Park and Upper Gardens didn't exist, the Samson Fountain and its massive pedestal had not yet been installed in the Sea Channel, and the channel itself was used as a grand marine entrance into the complex.
Perhaps the most important change augmenting Peter's design was the elevation of the Grand Palace to central status and prominence. The Grand Palace was originally called simply 'Upper', and was hardly larger than any of the other structures of the complex. The addition of wings, undertaken between 1745 and 1755, was one of the many projects commissioned from the Italian architect Bartolomeo Rastrelli by Elizabeth of Russia. Likewise, the Grand Cascade was more sparsely decorated when initially built. The augmentation of Peterhof's original fountains and the addition of new ones continued well into the 19th century.
Peterhof, like Catherine's Palace, was captured by German troops in 1941 and held until 1944. In the few months that elapsed between the outbreak of war in the west and the appearance of the German Army, employees were only able to save a portion of the treasures of the palaces and fountains. An attempt was made to dismantle and bury the fountain sculptures, but three quarters, including all of the largest ones, remained in place. The occupying forces of the German Army largely destroyed Peterhof. Many of the fountains were destroyed, and the palace was partially exploded and left to burn. Restoration work began almost immediately after the end of the war and continues to this day.
The name was changed to 'Petrodvorets' ('Peter's Palace') in 1944 as a result of wartime anti-German sentiment and propaganda, but the original name was restored in 1997 by the post-Soviet government of Russia. In 2003, Saint Petersburg celebrated its 300th anniversary. As a result, much of the building and statuary in Peterhof has been restored and new gilt-work abounds. Today Peterhof is one of the most popular tourist attractions in Saint Petersburg area.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.