The Peterhof Palace is a series of palaces and gardens laid out on the orders of Peter the Great. These Palaces and gardens are sometimes referred as the 'Russian Versailles'. The palace-ensemble along with the city centre is recognised as a UNESCO World Heritage Site.
Peter the Great first mentions the Peterhof site in his journal in 1705, during the Great Northern War, as a good place to construct a landing for use in travelling to and from the island fortress of Kronstadt. And in 1714, Peter began construction of the Monplaisir ('my pleasure') Palace based on his own sketches of the palace that he wanted close to the shoreline. This was Peter's Summer Palace that he would use on his way coming and going from Europe through the harbour at Kronstadt. On the walls of this seacoast palace hung hundreds of paintings that Peter brought from Europe and allowed to weather Russian winters without heat together with the dampness of being so close to the sea. And in the seaward corner of his Monplaisir Palace, Peter made his Maritime Study from which he could see Kronstadt Island to the left and St. Petersburg to the right. Later, he expanded his plans to include a vaster royal château of palaces and gardens further inland, on the model of Versailles. Each of the tsars after Peter expanded on the inland palaces and gardens of Peterhof, but the major contributions by Peter the Great were completed by 1725.
Peterhof originally appeared quite differently than it does today. Many of the fountains had not yet been installed. The entire Alexandrine Park and Upper Gardens didn't exist, the Samson Fountain and its massive pedestal had not yet been installed in the Sea Channel, and the channel itself was used as a grand marine entrance into the complex.
Perhaps the most important change augmenting Peter's design was the elevation of the Grand Palace to central status and prominence. The Grand Palace was originally called simply 'Upper', and was hardly larger than any of the other structures of the complex. The addition of wings, undertaken between 1745 and 1755, was one of the many projects commissioned from the Italian architect Bartolomeo Rastrelli by Elizabeth of Russia. Likewise, the Grand Cascade was more sparsely decorated when initially built. The augmentation of Peterhof's original fountains and the addition of new ones continued well into the 19th century.
Peterhof, like Catherine's Palace, was captured by German troops in 1941 and held until 1944. In the few months that elapsed between the outbreak of war in the west and the appearance of the German Army, employees were only able to save a portion of the treasures of the palaces and fountains. An attempt was made to dismantle and bury the fountain sculptures, but three quarters, including all of the largest ones, remained in place. The occupying forces of the German Army largely destroyed Peterhof. Many of the fountains were destroyed, and the palace was partially exploded and left to burn. Restoration work began almost immediately after the end of the war and continues to this day.
The name was changed to 'Petrodvorets' ('Peter's Palace') in 1944 as a result of wartime anti-German sentiment and propaganda, but the original name was restored in 1997 by the post-Soviet government of Russia. In 2003, Saint Petersburg celebrated its 300th anniversary. As a result, much of the building and statuary in Peterhof has been restored and new gilt-work abounds. Today Peterhof is one of the most popular tourist attractions in Saint Petersburg area.
References:The Broch of Gurness is an Iron Age broch village. Settlement here began sometime between 500 and 200 BC. At the centre of the settlement is a stone tower or broch, which once probably reached a height of around 10 metres. Its interior is divided into sections by upright slabs. The tower features two skins of drystone walls, with stone-floored galleries in between. These are accessed by steps. Stone ledges suggest that there was once an upper storey with a timber floor. The roof would have been thatched, surrounded by a wall walk linked by stairs to the ground floor. The broch features two hearths and a subterranean stone cistern with steps leading down into it. It is thought to have some religious significance, relating to an Iron Age cult of the underground.
The remains of the central tower are up to 3.6 metres high, and the stone walls are up to 4.1 metres thick.