The Norrköping Art Museum history began with a generous donation by Swedish industrialist Pehr Swartz at the beginning of the 20th century. The collection was exhibited in Villa Swartz, where the first public museum and library in Norrköping opened in 1913. In the autumn of 1946 Norrköping Museum was inaugurated at Kristinaplatsen. This modernistic building was designed by architect Kurt von Schmalensee. A sculpture park was established in 1960. Today the park features 15 sculptures. One of the more noteworthy is Spiral åtbörd/Spiral Gesture by Arne Jones in front of the entrance.The collection contains artworks from 18thcentury portraits filled with lace and ruffles to 21st-century installations, video art and photography. A selection is presented on the upper level of the museum where many innovative and noteworthy Swedish artists are represented with major works.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.