St. Lawrence's Church has a long and complicated history that goes back to sometime around the end of the 13th century. It is one of few medieval churches in Östergötland built entirely in brick, a circumstance which may be connected to there being a large number of German merchants active in Söderköping at the time, and it remains a fine Swedish example of Brick Gothic. The original church had the form of a basilica with a central nave and two aisles.
During a city fire in 1494 the church was damaged and subsequently rebuilt. An external belfry was erected in the 1580s. During its history, it has been reconstructed, renovated and altered on several occasions, but retains much of its medieval form and look. Externally, the church is dominated by its red brick façade, interspersed with blind arches and supported by brick buttresses. As it has no protruding apse, both the west and the east end of the church is marked by straight façades that end in crow-stepped gables. On the external wall of the vestry, St. Lawrence is depicted. During a renovation in 1965, an immured runestone was discovered and laid bare in one of the walls.
The interior today is a typical hall church, dominated by white-washed vaulting. Remains of medieval fresco painting has been laid bare during 20th-century restorations. The church also contains some noteworthy inventories, such as a late medieval altarpiece (possibly French), a triumphal crucifix (possibly made in Vadstena circa 1400), a processional crucifix from the 13th century and several medieval carved wooden statuettes of saints.
The church has been the venue for royal coronations in Sweden on two occasions. The first time was when Hedwig of Holstein, wife of Magnus III of Sweden, was crowned Queen of Sweden on 29 June 1281. The second was when Birger Magnusson and Martha of Denmark were crowned King and Queen of Sweden in the church in 1302.References:
The Jelling stones are massive carved runestones from the 10th century, found at the town of Jelling in Denmark. The older of the two Jelling stones was raised by King Gorm the Old in memory of his wife Thyra. The larger of the two stones was raised by King Gorm's son, Harald Bluetooth in memory of his parents, celebrating his conquest of Denmark and Norway, and his conversion of the Danes to Christianity. The runic inscriptions on these stones are considered the most well known in Denmark.
The Jelling stones stand in the churchyard of Jelling church between two large mounds. The stones represent the transitional period between the indigenous Norse paganism and the process of Christianization in Denmark; the larger stone is often cited as Denmark's baptismal certificate (dåbsattest), containing a depiction of Christ. They are strongly identified with the creation of Denmark as a nation state and both stones feature one of the earliest records of the name 'Danmark'.
After having been exposed to all kinds of weather for a thousand years cracks are beginning to show. On the 15th of November 2008 experts from UNESCO examined the stones to determine their condition. Experts requested that the stones be moved to an indoor exhibition hall, or in some other way protected in situ, to prevent further damage from the weather.
Heritage Agency of Denmark decided to keep the stones in their current location and selected a protective casing design from 157 projects submitted through a competition. The winner of the competition was Nobel Architects. The glass casing creates a climate system that keeps the stones at a fixed temperature and humidity and protects them from weathering. The design features rectangular glass casings strengthened by two solid bronze sides mounted on a supporting steel skeleton. The glass is coated with an anti-reflective material that gives the exhibit a greenish hue. Additionally, the bronze patina gives off a rusty, greenish colour, highlighting the runestones' gray and reddish tones and emphasising their monumental character and significance.