St. Lawrence's Church has a long and complicated history that goes back to sometime around the end of the 13th century. It is one of few medieval churches in Östergötland built entirely in brick, a circumstance which may be connected to there being a large number of German merchants active in Söderköping at the time, and it remains a fine Swedish example of Brick Gothic. The original church had the form of a basilica with a central nave and two aisles.
During a city fire in 1494 the church was damaged and subsequently rebuilt. An external belfry was erected in the 1580s. During its history, it has been reconstructed, renovated and altered on several occasions, but retains much of its medieval form and look. Externally, the church is dominated by its red brick façade, interspersed with blind arches and supported by brick buttresses. As it has no protruding apse, both the west and the east end of the church is marked by straight façades that end in crow-stepped gables. On the external wall of the vestry, St. Lawrence is depicted. During a renovation in 1965, an immured runestone was discovered and laid bare in one of the walls.
The interior today is a typical hall church, dominated by white-washed vaulting. Remains of medieval fresco painting has been laid bare during 20th-century restorations. The church also contains some noteworthy inventories, such as a late medieval altarpiece (possibly French), a triumphal crucifix (possibly made in Vadstena circa 1400), a processional crucifix from the 13th century and several medieval carved wooden statuettes of saints.
The church has been the venue for royal coronations in Sweden on two occasions. The first time was when Hedwig of Holstein, wife of Magnus III of Sweden, was crowned Queen of Sweden on 29 June 1281. The second was when Birger Magnusson and Martha of Denmark were crowned King and Queen of Sweden in the church in 1302.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.