Norrköping Art Museum, Norrköping, Sweden

The Norrköping Art Museum history began with a generous donation by Swedish industrialist Pehr Swartz at the beginning of the 20th century. The collection was exhibited in Villa Swartz, where the first public museum and library in Norrköping opened in 1913. In the autumn of 1946 Norrköping Museum was inaugurated at Kristinaplatsen. This modernistic building was designed by architect Kurt von Schmalensee. A sculpture park was established in 1960. Today the park features 15 sculptures. One of the more noteworthy is Spiral åtbörd/Spiral Gesture by Arne Jones in front of the entrance.The collection contains artworks from 18thcentury portraits filled with lace and ruffles to 21st-century installations, video art and photography. A selection is presented on the upper level of the museum where many innovative and noteworthy Swedish artists are represented with major works.

User Reviews

Mark Matthews (2 years ago)
Stars not related to exhibition but "the experience" offered.

Dag Waldenstroem (2 years ago)
Nice mediumsized museum

Morgan Young (2 years ago)
A perfectly sized collection that you can take your time with. My one complaint is the lack of english within the exhibits. However, I did not ask the reception desk, so it is possible that they have english guidebooks! I’m really not sure. Don‘t take my word for it.

Toth Borbala (2 years ago)
The place is so Swedish! It has style, elegant and still cosy. The temporary exhibition is thought provoking, the own collection is locally adopted best of the world. I loved it.

C M (2 years ago)
Good museum with good exhibits

Featured Historic Landmarks, Sites & Buildings

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Historic Site of the week

Palazzo Colonna

The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.

The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).

With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).

Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.

The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.

The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.

Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.

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