The Norrköping Art Museum history began with a generous donation by Swedish industrialist Pehr Swartz at the beginning of the 20th century. The collection was exhibited in Villa Swartz, where the first public museum and library in Norrköping opened in 1913. In the autumn of 1946 Norrköping Museum was inaugurated at Kristinaplatsen. This modernistic building was designed by architect Kurt von Schmalensee. A sculpture park was established in 1960. Today the park features 15 sculptures. One of the more noteworthy is Spiral åtbörd/Spiral Gesture by Arne Jones in front of the entrance.The collection contains artworks from 18thcentury portraits filled with lace and ruffles to 21st-century installations, video art and photography. A selection is presented on the upper level of the museum where many innovative and noteworthy Swedish artists are represented with major works.
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr.