Norrköping Art Museum

Norrköping, Sweden

The Norrköping Art Museum history began with a generous donation by Swedish industrialist Pehr Swartz at the beginning of the 20th century. The collection was exhibited in Villa Swartz, where the first public museum and library in Norrköping opened in 1913. In the autumn of 1946 Norrköping Museum was inaugurated at Kristinaplatsen. This modernistic building was designed by architect Kurt von Schmalensee. A sculpture park was established in 1960. Today the park features 15 sculptures. One of the more noteworthy is Spiral åtbörd/Spiral Gesture by Arne Jones in front of the entrance.The collection contains artworks from 18thcentury portraits filled with lace and ruffles to 21st-century installations, video art and photography. A selection is presented on the upper level of the museum where many innovative and noteworthy Swedish artists are represented with major works.

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Address

Alreiksgatan 8, Norrköping, Sweden
See all sites in Norrköping

Details

Founded: 1913
Category: Museums in Sweden
Historical period: Modern and Nonaligned State (Sweden)

More Information

www.norrkoping.se

Rating

4.1/5 (based on Google user reviews)

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User Reviews

Peter Lynch (5 months ago)
Great collection of Swedish modern art, beautiful museum
祺 (5 months ago)
The museum is great, really enjoy the visit.
Lu Jiale (7 months ago)
Very small museum with almost no English words available.
Jon TheJon (13 months ago)
Polite Staff. I went there once with my friend and was impressed by the beatiful pictures and paintings. You can reach it easily by walking, if you arrive by train.
Andreas Gavrielides (15 months ago)
The collections are really beautiful and the fact there is no entrance fee makes it a must-go! It is not a huge museum but houses many interesting works of art!
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The Goseck circle is a Neolithic circle structure. It may be the oldest and best known of the Circular Enclosures associated with the Central European Neolithic. It also may be one of the oldest Solar observatories in the world. It consists of a set of concentric ditches 75 metres across and two palisade rings containing gates in places aligned with sunrise and sunset on the solstice days.

Its construction is dated to c. 4900 BC, and it seems to have remained in use until 4600 BC. This corresponds to the transitional phase between the Neolithic Linear Pottery and Stroke-ornamented ware cultures. It is one of a larger group of so-called Circular Enclosures in the Elbe and Danube region, most of which show similar alignments.

Excavators also found the remains of what may have been ritual fires, animal and human bones, and a headless skeleton near the southeastern gate, that could be interpreted as traces of human sacrifice or specific burial ritual. There is no sign of fire or of other destruction, so why the site was abandoned is unknown. Later villagers built a defensive moat following the ditches of the old enclosure.

The Goseck ring is one of the best preserved and extensively investigated of the many similar structures built at around the same time. Traces of the original configuration reveal that the Goseck ring consisted of four concentric circles, a mound, a ditch, and two wooden palisades. The palisades had three sets of gates facing southeast, southwest, and north. At the winter solstice, observers at the center would have seen the sun rise and set through the southeast and southwest gates.

Archaeologists generally agree that Goseck circle was used for observation of the course of the Sun in the course of the solar year. Together with calendar calculations, it allowed coordinating an easily judged lunar calendar with the more demanding measurements of a solar calendar.

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