Norrköping Art Museum, Norrköping, Sweden

The Norrköping Art Museum history began with a generous donation by Swedish industrialist Pehr Swartz at the beginning of the 20th century. The collection was exhibited in Villa Swartz, where the first public museum and library in Norrköping opened in 1913. In the autumn of 1946 Norrköping Museum was inaugurated at Kristinaplatsen. This modernistic building was designed by architect Kurt von Schmalensee. A sculpture park was established in 1960. Today the park features 15 sculptures. One of the more noteworthy is Spiral åtbörd/Spiral Gesture by Arne Jones in front of the entrance.The collection contains artworks from 18thcentury portraits filled with lace and ruffles to 21st-century installations, video art and photography. A selection is presented on the upper level of the museum where many innovative and noteworthy Swedish artists are represented with major works.

User Reviews

Mark Matthews (6 months ago)
Stars not related to exhibition but "the experience" offered.

Dag Waldenstroem (6 months ago)
Nice mediumsized museum

Morgan Young (7 months ago)
A perfectly sized collection that you can take your time with. My one complaint is the lack of english within the exhibits. However, I did not ask the reception desk, so it is possible that they have english guidebooks! I’m really not sure. Don‘t take my word for it.

Toth Borbala (7 months ago)
The place is so Swedish! It has style, elegant and still cosy. The temporary exhibition is thought provoking, the own collection is locally adopted best of the world. I loved it.

C M (8 months ago)
Good museum with good exhibits

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Lednice Castle

The first historical record of Lednice locality dates from 1222. At that time there stood a Gothic fort with courtyard, which was lent by Czech King Václav I to Austrian nobleman Sigfried Sirotek in 1249.

At the end of the 13th century the Liechtensteins, originally from Styria, became holders of all of Lednice and of nearby Mikulov. They gradually acquired land on both sides of the Moravian-Austrian border. Members of the family most often found fame in military service, during the Renaissance they expanded their estates through economic activity. From the middle of the 15th century members of the family occupied the highest offices in the land. However, the family’s position in Moravia really changed under the brothers Karel, Maximilian, and Gundakar of Liechtenstein. Through marriage Karel and Maximilian acquired the great wealth of the old Moravian dynasty of the Černohorskýs of Boskovice. At that time the brothers, like their father and grandfather, were Lutheran, but they soon converted to Catholicism, thus preparing the ground for their rise in politics. Particularly Karel, who served at the court of Emperor Rudolf II, became hetman of Moravia in 1608, and was later raised to princely status by King Matyas II and awarded the Duchy of Opava.

During the revolt of the Czech nobility he stood on the side of the Habsburgs, and took part in the Battle of White Mountain. After the uprising was defeated in 1620 he systematically acquired property confiscated from some of the rebels, and the Liechtensteins became the wealthiest family in Moravia, rising in status above the Žerotíns. Their enormous land holdings brought them great profits, and eventually allowed them to carry out their grandious building projects here in Lednice.

In the 16th century it was probably Hartmann II of Liechtenstein who had the old medieval water castle torn down and replaced with a Renaissance chateau. At the end of the 17th century the chateau was torn down and a Baroque palace was built, with an extensive formal garden, and a massive riding hall designed by Johann Bernard Fischer von Erlach that still stands in almost unaltered form.

In the mid-18th century the chateau was again renovated, and in 1815 its front tracts that had been part of the Baroque chateau were removed.

The chateau as it looks today dates from 1846-1858, when Prince Alois II decided that Vienna was not suitable for entertaining in the summer, and had Lednice rebuilt into a summer palace in the spirit of English Gothic. The hall on the ground floor would serve to entertain the European aristocracy at sumptuous banquets, and was furnished with carved wood ceilings, wooden panelling, and select furniture, surpassing anything of its kind in Europe.

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