Viborg Cathedral is the site of one of Denmark's most important historic churches located in the town of Viborg. The modern building is a 19th century construction based on Lund Cathedral in southern Sweden which bears no resemblance to the medieval cathedral that stood on the site since 1130.
Viborg Cathedral has been the seat of a bishop since 1065. While nothing is known of the first church in Viborg, it can be supposed that it was a small timber church with a short nave and choir. No remains of such a building have been found. But if it follows the pattern of other cathedrals in Denmark, it would be on or near the site of the present structure. A stone cathedral was built on the present site and part of its foundations can still be seen in the crypt of the modern cathedral.
The second cathedral dedicated to St Mary and later called, 'Our Lady Cathedral' (Vor Frue Domkirke) was begun about 1130 on the site of a wooden church which was built in Viking times by Bishop Eskild. Eskild was murdered in front of the altar of St Margaret's church (now Asmild Church) on the orders of Erik Emune who was in rebellion against King Niels in 1133. The men who slaughtered bishop Eskild were never brought to justice. The cathedral was built of Danish granite and sandstone in Romanesque style with half-rounded arches supporting a flat timber ceiling. The church consisted of a long nave, two side aisles, and short, stubby transepts, and a choir with a rounded apse. Two towers flanked the main entrance with tall, slim spires.
The cathedral was completed under Bishop Niels about 1200. He also founded the Hospital of St Michael in Viborg. In time many other ecclesiastical buildings surrounded the cathedral. The cathedral also had a chapel for St Anna and Our Lady Chapel. At some point relics of St Willehad, the Archbishop of Bremen in the 780's were brought to Viborg and placed in St Kjeld's chapel.
In 1501 a fire damaged the western section of the church and destroyed the roof. The repairs were made in red brick, the most common building material of the time. By 1530 the cathedral was in the hands of Lutherans who rejected much of what the cathedral had stood for since Viking times. Despite Viborg's enthusiasm for all things reformed, Viborg maintained some of its Catholic traditions longer than anywhere else in Denmark.
A fire damaged the church again in 1567. 27 June 1726 the city and the church suffered devastating fire damage leaving the bare walls and vaulting standing. The old cathedral remnants were enclosed in a Baroque style building that was poorly constructed by 1770. The towers were capped with short 'coffee pots' according to locals who remembered the high spires before the fire.
The church was closed due to lack of funds, and between 1800 and 1814 was used as a grain silo. In 1859 in preparation for restoring the cathedral, it was decided that the walls were so unstable that the church would need to be dismantled and be rebuilt. The designer, Julius Tholle, wanted to keep as much of the medieval building as was feasible and incorporate it into the new building. In 1863 the process of tearing the church down was completed and the cornerstone for the new cathedral was laid. Tholle died in 1871 and his plan was scrapped. The older sections which were deemed too unsalvageable were torn down.
Viborg Cathedral was rebuilt in brick, and then a granite facade attached to achieve the look of a granite church for significantly less money. The building was closely patterned after the ancient Romanesque cathedral at Lund in southern Sweden. This was a controversial decision because the appearance of the cathedral was nothing like the former building. The church was completed and consecrated in 1876. As a result, the present cathedral is a 19th century version of what the builders thought a Romanesque cathedral should look like.
Because the entire contents of the church were lost in the 1726 fire, all the contents to be seen in the church were either taken from other churches or created by artists and craftsmen after 1876 (like seven branch candelabra on the altar, which is made in Lubeck in 1494). Joachim Skovgaard painted frescoes in the church as a reminder of the medieval paintings which were part of the decoration of the ancient cathedral between 1900 and 1913.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.