Nysø Manor was built in 1673 for Jens Lauridsen. It was the first manor house in Denmark to be designed in the Baroque style. It is built in red brick and sandstone with a red-tiled roof and a granite plinth as a foundation. Nysø is thought to be the work of master builder Ewert Janssen who probably also built Charlottenborg Palace in Copenhagen shortly afterwards.
The house consists of a main wing with 11 bays and lateral wings to the north with an entrance in between. The central projects on the north and south sides are decorated with four Ionic pilasters which support triangular pediments. On the north side, there is a clock with two figures whose bells strike the hour. A moat originally encircled the entire building but in 1780 on the north side it was filled in to accommodate estate buildings. The Thorvaldsen Collection is housed in one of the red-brick buildings to the east.
Nysø is especially known for its role in the Danish cultural Golden Age of the early-to-mid-19th century when baron Hendrik Stampe and his wife Christine played host to many famous writers and artists, including Hans Christian Andersen and the sculptor Thorvaldsen. The latter spent much of his last six years here (1838–44), where he had a studio in the house and in the garden (the white structure in the picture above).
In the 19th century, Nysø was a popular venue for Golden Age artists including as Hans Christian Andersen, Bertel Thorvaldsen andNikolaj Grundtvig who visited baron Hendrik Stampe and his wife Christine. Thorvaldsen who had a studio in the house spent much of his last six years there. Today Nysø houses the Thorvaldsen Collection which is open to the public in the summer months.
The Thorvaldsen Museum including the Thorvaldsen collection is open for visitors in summer season. The collection contains Thorvaldsen's clay models, sculptures and drawings as well as artwork from other famous visitors.References:
Roman Walls of Lugo are an exceptional architectural, archaeological and constructive legacy of Roman engineering, dating from the 3rd and 4th centuries AD. The Walls are built of internal and external stone facings of slate with some granite, with a core filling of a conglomerate of slate slabs and worked stone pieces from Roman buildings, interlocked with lime mortar.
Their total length of 2117 m in the shape of an oblong rectangle occupies an area of 1.68 ha. Their height varies between 8 and 10 m, with a width of 4.2 m, reaching 7 m in some specific points. The walls still contain 85 external towers, 10 gates (five of which are original and five that were opened in modern times), four staircases and two ramps providing access to the walkway along the top of the walls, one of which is internal and the other external. Each tower contained access stairs leading from the intervallum to the wall walk of town wall, of which a total of 21 have been discovered to date.
The defences of Lugo are the most complete and best preserved example of Roman military architecture in the Western Roman Empire.
Despite the renovation work carried out, the walls conserve their original layout and the construction features associated with their defensive purpose, with walls, battlements, towers, fortifications, both modern and original gates and stairways, and a moat.
Since they were built, the walls have defined the layout and growth of the city, which was declared a Historical-Artistic Ensemble in 1973, forming a part of it and becoming an emblematic structure that can be freely accessed to walk along. The local inhabitants and visitors alike have used them as an area for enjoyment and as a part of urban life for centuries.
The fortifications were added to UNESCO"s World Heritage List in late 2000 and are a popular tourist attraction.