Przezmark Castle Ruins, Przezmark, Poland

The construction of the Przezmark castle started at the beginning of the 1300s continued until c. 1350. In the next centuries the stronghold was repeatedly converted because it was adjusted to new functions: the seat of a commune head, a prosecuting attorney and a convent. Since the beginning of the 16th century the castle belonged to the bishops of Pomesania as to later come into hands of the families of von Egmon and von Verdte. After the period of the private owners, came the period, in which the stronghold performed the function of the seat of the offices to finally decline and to be disassembled in the 18th century The first of the old names of the castle suggests that before the Teutonic times there existed the Prussian merchant settlement. The tower that has survived till our time emerged around 1329 and is called the Prisoner-Of-War Tower.

References:

Castles in Poland

User Reviews

Anna Sosnowska (2 years ago)
People create the place :) I highly recommend visiting this place. Lovely owners, full of passion and love for this place. I keep my fingers crossed for further development and fulfillment of all plans :)

Adi Kominek (2 years ago)
Well, there is not much left of the Teutonic castle, there is only one tower left, which was very nicely arranged by the owners. Taking into account the condition of the castle in which the owners acquired it, and in what condition it is now, it proves how much heart and money the owners had to invest. A place worth visiting, I am very impressed with how many exhibits have been brought from abroad to make this place look like this.

Kasia Pisarska (2 years ago)
The first time I was in a non-commercial castle. Wlascicel Mr. Ryszard is a very nice man-gentleman with a really great passion. He devoted over 20 years of his own life and money to the renovation of this place, only because it is his passion. At the very end of the tour, you can donate or not (if someone does not want to) a symbolic amount to the piggy bank. And that doesn't happen. Not in these times - it's just a passion and you can feel it every moment and in every word of the owner. Mr. Ryszard shares a lot of historical knowledge. I sincerely recommend! If someone is in the area, I recommend it very much! I personally believe that there are no such places anymore. I greet and encourage you to explore

Marta Ka (2 years ago)
Nice place to visit. It’s for free only if you want to donate few ,,zl,, to owner. Owner took as on the tower and give us a tour.

Marta Listkowska (2 years ago)
If we hadn't got here thanks to our hosts with whom we slept, we would have lost a lot! The great advantage of this place, apart from the fact that it is worth seeing, is the local guide - the owner, Mr. Ryszard. It was thanks to his passion that this castle could come back to life. I am glad that, in addition to the historical values, I was able to get to know the story that someone had a passion, a dream ('Jola let's buy a castle') and followed that voice. I consider the chapel on one of the floors of the tower to be the gem of this place. It perfectly reflects the atmosphere of this place and the Owner's attention to every detail.

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The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.

The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.

According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.

The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.

The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.

With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.

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