Completed in the first half of the twelfth century, Hover Church is one of the oldest churches in Denmark. In 1771, the church's west gable was damaged by a storm. A heavy buttress now supports one wall. The porch was built in the 1500s in late Gothic style on the south side of the church, where the men's entrance once was. The women's entrance was on the north side of the church. The frescoes are dated to the 16th century. In 1907, a fresco was uncovered on the chancel arch wall depicting Isaac's sacrifice, possibly after a woodcut in Christian III's Bible. There were traces of earlier frescoes but they have now been covered with limewash. Restoration work was carried out in the 1960s.
Emulating the design of earlier wooden churches and standing on a sloping foundation, Hover Church is built of hewn granite in the Romanesque style. The nave is rectangular, thechancel is almost square, and the four simply-glazed windows are small and high. Unlike most other Danish churches, Hover does not have a bell tower, but instead has a small bell that hangs under an overhang on the east gable.
The church interior is very similar to other Danish churches. It has a pulpit, altar, baptismal font, organ and benches. It has a flat ceiling and a rounded chancel arch. The altar is of solid granite blocks while the altarpiece (late 17th century) displays a copy of the painting Vandringen til Emmaus by Anton Dorph (original in the Emmaus Church, Frederiksberg). The pulpit (1596) shows the four Evangelists, Matthew, Mark, Luke and John. The font is as old as the church itself. It was previously painted and later acid-washed. The organ (1968) was built by Frobenius Orgelbyggeri and is equipped with 8 votes distributed between one manual and pedal. One of the chair backs in the church has a motif with a crossbow with the date 1575.References:
Built around AD 90 to entertain the legionaries stationed at the fort of Caerleon (Isca), the impressive amphitheatre was the Roman equivalent of today’s multiplex cinema. Wooden benches provided seating for up to 6,000 spectators, who would gather to watch bloodthirsty displays featuring gladiatorial combat and exotic wild animals.
Long after the Romans left, the amphitheatre took on a new life in Arthurian legend. Geoffrey of Monmouth, the somewhat imaginative 12th-century scholar, wrote in his History of the Kings of Britain that Arthur was crowned in Caerleon and that the ruined amphitheatre was actually the remains of King Arthur’s Round Table.
Today it is the most complete Roman amphitheatre in Britain.