Completed in the first half of the twelfth century, Hover Church is one of the oldest churches in Denmark. In 1771, the church's west gable was damaged by a storm. A heavy buttress now supports one wall. The porch was built in the 1500s in late Gothic style on the south side of the church, where the men's entrance once was. The women's entrance was on the north side of the church. The frescoes are dated to the 16th century. In 1907, a fresco was uncovered on the chancel arch wall depicting Isaac's sacrifice, possibly after a woodcut in Christian III's Bible. There were traces of earlier frescoes but they have now been covered with limewash. Restoration work was carried out in the 1960s.
Emulating the design of earlier wooden churches and standing on a sloping foundation, Hover Church is built of hewn granite in the Romanesque style. The nave is rectangular, thechancel is almost square, and the four simply-glazed windows are small and high. Unlike most other Danish churches, Hover does not have a bell tower, but instead has a small bell that hangs under an overhang on the east gable.
The church interior is very similar to other Danish churches. It has a pulpit, altar, baptismal font, organ and benches. It has a flat ceiling and a rounded chancel arch. The altar is of solid granite blocks while the altarpiece (late 17th century) displays a copy of the painting Vandringen til Emmaus by Anton Dorph (original in the Emmaus Church, Frederiksberg). The pulpit (1596) shows the four Evangelists, Matthew, Mark, Luke and John. The font is as old as the church itself. It was previously painted and later acid-washed. The organ (1968) was built by Frobenius Orgelbyggeri and is equipped with 8 votes distributed between one manual and pedal. One of the chair backs in the church has a motif with a crossbow with the date 1575.References:
Situated in the basement of Metropol Parasol, Antiquarium is a modern, well-presented archaeological museum with sections of ruins visible through glass partitions, and underfoot along walkways.
These Roman and Moorish remains, dating from the first century BC to the 12th century AD, were discovered when the area was being excavated to build a car park in 2003. It was decided to incorporate them into the new Metropol Parasol development, with huge mushroom-shaped shades covering a market, restaurants and concert space.
There are 11 areas of remains: seven houses with mosaic floors, columns and wells; fish salting vats; and various streets. The best is Casa de la Columna (5th century AD), a large house with pillared patio featuring marble pedestals, surrounded by a wonderful mosaic floor – look out for the laurel wreath (used by emperors to symbolise military victory and glory) and diadem (similar meaning, used by athletes), both popular designs in the latter part of the Roman Empire. You can make out where the triclinium (dining room) was, and its smaller, second patio, the Patio de Oceano.
The symbol of the Antiquarium, the kissing birds, can be seen at the centre of a large mosaic which has been reconstructed on the wall of the museum. The other major mosaic is of Medusa, the god with hair of snakes, laid out on the floor. Look out for the elaborate drinking vessel at the corners of the mosaic floor of Casa de Baco (Bacchus’ house, god of wine).